SGRoA: Blood Ties, S1 E17: The Devil You Know

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…is Christina, Henry’s dame. It’s Christina. I hope this episode doesn’t move us from Halloween right into the FEH-stive season, if you know what I mean. Anyway, let’s get started!

Henry is on the phone with Augustus

read my books, you’ll get more jokes

… trying to find Christina, I assume. All these vampires are referred to with weird little titles: The German, The Tall Man. These people don’t have names? (Then again, Augustus is a title, too, and he would looooove Henry’s ilk.)

Vicki comes by to yell at Henry for leaving her out of the loop and refusing to let her help him They’re interrupted by another model’s death-by-vampire, and head off to the crime scene. Mike immediately goes in on Henry about Christina, and therefore Henry goes in on Vicki about telling Mike it’s Christina.

But Henry doesn’t think this was Christina: it’s too lurid, attracting too much attention. Henry leaves, announcing his departure because he’s “the only one interested in solving this!” Flounce, queen! Flounce us right into the horrible theme song!

Ooh, rare treat: Flashback Time! It’s not a big one, just Henry remembering Christina before she turned him, his insistence he was ready for it, hers that he wasn’t, and then her feeding him her blood – which I assume in this lore means starting to turn him. That’s usually how it goes; I have the slightly-less-usual trope of vamp blood healing humans, but not doing much otherwise. Maybe get you a little high.

Mike swings by Vicki’s office with Chinese food, so she can tell him (and us) about how vampire territories work. No shade: this is actually pretty well done. Mike has questions, Vicki has answers, we get exposition. (We’re doing much better this week!) Vamps in this lore can’t be anywhere near each other, hence the strict territories. And apparently it’s weird that Henry and Christina were lovers previously, because of that? Like, because you would want to keep being lovers, I assume, barring extenuating circumstances. But beyond that, Vicki doesn’t have any more explanations.

Mike says fine, that’s enough, but what really worries him is that Henry is acting unpredictably – like stealing things from crime scenes.

Turns out there was a brooch of Christina’s – we see it in the flashback – that the latest victim was photographed in, and was on the body at the scene, but was never catalogued. Henry had lied about the crime scene not being Christina’s style. Henry is actively working against them in this case.

Christina is waiting for Henry in his apartment, and she’s Laura Mennell, who has been in roughly one episode of everything ever, but also was one of the Alphas on Alphas, a show that was unceremoniously canceled on a cliffhanger. Poor Gary. Whatever happened to you?

Anyway. She makes some good points about the downsides of digitization, and then says she needs Henry’s help. They do some lame vamp posturing to justify the show’s makeup budget, I guess, and then some even lamer quip-trading, if you can call them quips. Finally, a point! She’s being followed by another vampire, Alexander, who’s trying to ruin her life wherever she sets up shop. If the next vampire mentioned is an India or a Marie or an Oscar, I’m going to have questions, honestly.

Henry says she’ll have to play by his rules while she’s in his territory, and she begrudgingly agrees to answer some questions for Mike. At another time, though: right now she has to go harass Vicki by showing up at the office and saying she “wanted to meet the competition.”

Emma Stone on SNL saying "ew"
Ew.
a fuzzy orange cat with text reading "excuse me while I barf in my mouth"

I – whatever, that’s why God invented memes, so I don’t have to put that into words. The whole scene is like this, Christina threatening Vicki, but just by, like, calling her ugly. She leaves, and Vicki reaches into a drawer to remove a comfort item, a talisman – that fucking sun thingie from the Julian Sands Inquisition episodes!!!!!!!!!!!

I did not see that coming. I thought they got rid of that, that they destroyed it or put it in Henry’s safe or his walls or something! I wonder if Vicki’s cold enough to actually use it – or if Christina is going to be such an awful bitch that we’ll be hoping Vicki’s cold enough. Damn. Okay, last week is forgiven, I’m hella invested in this shit.

So Henry had told Vicki about Alexander on the phone before Christina came in, and Vicki has Coreen look into him next day. He’s a model, one of the references on his CV is Christina. She calls Mike to update, and he invites her to the morgue to take a look at the last vic.

While there, Vicki asks if there’s any way to tell if the attacker is male or female. Mohadevan says not really, but there is one difference in the two models’ deaths. On the first girl, there are signs of hesitation – not remorse or anything emotional, but more like incompetence. Like someone started to claw her throat, and someone more experienced finished it? Okay, that’s my editorializing, but I’m gonna limb it here and say that Christina is using Alexander to get in contact with Henry and she’s gonna throw him right under the bus at every opportunity. Already calling him a stalker. Bet she just wants the boys to fight over her, weird little pick-me.

Oh, hey, Dave’s back! Hi, Dave! Mike gives Dave Alexander’s name for some further digging; Dave makes several remarks about enjoying interviews with models. Ah, Dave. You can go away again, thanks, that’s fine. Oh, and Mike’s unhappy about 3 vampires in his city, and, uh… nah, let’s not tell him. The Raven gang doesn’t seem to be causing any problems.

Henry and Christina have some bite sex on the street? Okay, sure, and then they have a lore conversation. Most of this is to show they’re being followed – a lot of shots of them from a camera lens, zooming in and out. I assume this is Alexander, who “doesn’t follow code” and “wants to make his mark” by “taking out an old one”. Yup. Sure. I wouldn’t believe this woman if she told Henry her name is Christina, honestly. She’s not very well hinged, which we knew, but I had no idea she was such a weird pick-me about Henry.

Christina rn, cringe alert

Coreen, meanwhile, has found Alexander’s sister, right there in Toronto. She hasn’t had contact with Alex in roughly 6 months, and she reported him missing, but of course the police didn’t do anything, and now he’s involved in murders? She says he’s kind and harmless, that he basically raised her after their parents died. He met a woman roughly 9 months ago, and was smitten. Said she was going to help with his career. And she has a picture of him, taken just before he disappeared – a picture taken before sunset, with Alex bathed in light.

Funny. PickMe said he’d been stalking her for a whole year! That he was a vampire that whole time! That he’s trying to make a name for himself!

Oh, but wait, Henry gives us a full-on retcon of everything in this episode. Vamps don’t turn enemies, only friends and lovers. Vamps stay with their parents for a full year, and the newborns are devoted to their parent. So if Christina had turned Alex, they’d be together and he wouldn’t be stalking her, and if he had been stalking her for a year, she wouldn’t have turned him. No, it doesn’t matter that Alex is a baby, he’s trying to expose Christina, not just kill her, and he could do it to any vampire, and that’s really dangerous. That’s why she needs Henry’s help! It’s all so obvious!

Christina offers to see Mike at her midnight couture shoot at an arts center. Seems pretty public, to both Vicki and Mike, and Vicki wonders if Christina is trying to draw Alexander out. She also mentions that it’s strange he went from leaving bodies on doorsteps to elaborately posing them – are they missing something?

Henry’s walking the streets, having a flashback. (Next thing you know, it’ll be gravy boats and puffy shirts.) Christina is teaching Henry not to kill, and how to hypnotize victims to forget. Henry’s a dick about it, because she’s said it all before. Don’t worry, Hank, I didn’t think you were any more likable than you have been.

Vicki heads to the morgue to see Mohadevan. Were there any other weird things about the first body that weren’t on the others? Yeah, says Mohadevan, actually, the first vic was completely drained of blood by two punctures on her wrist. She didn’t bleed out at all, but someone very much wanted it to look like she was drained by someone who didn’t know what they were doing.

Henry finds Alex while he’s wandering, but Alex runs, and then… they have a … thought conversation? This is incredibly weirdly done, but basically, Henry says – out loud – that Alex shouldn’t have involved him. Alex says – offscreen somewhere? with a weird growly voice? – that Henry can save the girl he was chowing in the alley or he can chase Alex. Henry says he’ll have to face him eventually, and Alex retorts that Henry can save Christina, or his other loved ones, but not both. Henry says, “Watch me.”

Vicki brings Alex’s sister to the photo shoot, because again, this is a pretty standard paranormal procedural, and putting family members in danger without telling them anything is pretty standard paranormal operating procedure. (She knows she can talk to him. She’s his sister!)

Mike is questioning Christina with Dave, so standard shit. What was Alex like to work with, what was her relationship with him, when did things change. She has all the answers, even if Mike is a little sharp with the questions. She mojos them into giving it up, and Dave just wanders away, but Mike looks like he might know something is wrong.

Alex is in a hoodie, setting up lights, lingering on the fringes of the shoot. Vicki and Sister show up, but Vicki insists Sister stays backstage for safety. Henry shows up and has some words for Christina: namely, he’s figured out she can’t feel Alex because her body doesn’t consider him a threat. Because it’s been less than a year. Because she turned him.

She turned him and abandoned him, but that shouldn’t matter. Henry has to protect her, because if he doesn’t, he’s next. Vicki’s next. Vicki, up in the catwalks, finding another body and the boxes for the “TrueSun” lighting.

She kills the lights, of course, yelling down to the stage and running in and knocking shit over. Henry and Christina are fine, wrapped in the velvet stage curtain. Vicki finds them with Christina chowing down on Henry’s wrist to heal her burns. She runs off, Henry says he’s going after Alex, Vicki’s like, yeah, fine, whatever. I am also tired of Henry’s relationship drama.

Sister finds Alex first, though, obviously. Alex takes her hostage against Henry, but Henry says he can make her forget, Alex doesn’t have to kill her just because she saw him vamped out.

Oh, I see, Alex has not taken dying well. He ran away, he’s freaked out about hunger, says Christina “did this to” him, he hates vampires, begs Henry to kill him. So Henry obliges, and then I send Henry Nick Knight’s address, and…. No, just kidding, Nick’s already dead, but they could have made a whole series about Alexander whining! For centuries!

Lestat from the movie saying, "still whining, Louis"
Lestat knows

Vicki has headed back to the office, so she apparently just completely forgot about Sister? Like, just straight up left that woman at the arts center. Damn, Vicki, what the hell?

Or maybe better she did, because Christina has followed her. She threatens to kill Vicki (“I’m still hungry”), and then Vicki tells her she knows about the first victim, that all of this was to manipulate Henry into killing that kid. Vicki brandishes the Illuminacion del Sol – the sun thingie – but before she needs to decide whether to use it, Henry is here to save her and tells Christina to get the fuck out of his city, and if she ever comes near him again, he’ll kill her. She protests, and there’s some lame relationship talk, but she ultimately goes.

Henry also goes to tell Mike that he killed Alex, and they get into a little spat about vampirism and justice, so it’s back to Mike and Henry status quo.

SGRoA: Blood Ties, S1 E12: Norman

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yes, Mother?

Y’all! I saw Dr Mohadevan in a movie!!!! She played a nurse for like 30 seconds, she did great, just like she does every week for us on this… delightful show that I chose to recap. Yup. No one to blame but myself….

We open on Henry and Vicki watching the 1922 Nosferatu. Henry says it’s sad that Orlock kills himself for passion – after all, vampires feel the sun long before they see it, and he chooses to stay. Vicki gets visibly uncomfortable with Henry’s flirting, they almost kiss, blah blah.

Look, I’m not against romance. In the book series this show is based on, all the characters are likeable, and you do really feel that Vicki is struggling between Mike and Henry, because they represent very different life paths to her. In the books, this sort of character building pays off, and lets us understand the characters better and enjoy the stories more.

But this is a late-aughts, syndicated on Lifetime, vampire TV show. The writing has gone almost out of its way to make these people awful, if not downright vile, and I just cannot give a flying fuck who they end up with. This isn’t character building; these scenes in the show are conflict for conflict’s sake, and they honestly just piss me off. Gonna go read the source material just to get these assholes out of my head.

ANYWAY. Some guy is lifting weights. Subtitles tell me it’s Andrew, so sure, and thanks for letting me know how grunty he is while lifting. Andrew cuts himself while futzing with the weights, and his blood melts concrete? I rewound, but no, that’s concrete, damn. His blood opens a circle and a pentagram, and some Ethan Hawke-looking motherfucker pops up and promptly kills Andrew with super long nails to the neck. Cue opening credits!

Vicki’s demon tats are burning, and she says she should just get them removed. Coreen says she shouldn’t, that they’re powerful, but Vicki doesn’t trust it and doesn’t know how to use them. She also throws in a jab about how they’d be worse if they were Hello Kitty, and, wow, Vicki, rude.

what could she possibly have done to you?!

Vicki and Coreen start getting snippy with each other, because this is 2007 and it was a truth universally acknowledged that two women couldn’t have a conversation without being bitches. Thankfully, they’re interrupted by Camille Stokes, seeking Vicki’s services.

She’s a psychic, and she had a vision of Vicki dying at the hands of the demon Andrew summoned, presumably. Vicki is snarky AGAIN, but Camille is insistent, and Vicki tells her to call if she has more visions. Even so, Camille leaves and Coreen is concerned – the pentagram, the chalice, the knife, all these things were supposedly destroyed after the last demon encounter. Henry took care of it. “Yeah,” says Vicki, “I thought he did.”

Down at the precinct, Mike is taking a call about a clawed body. Like an animal? Apparently, yes. Poor Andrew, we hardly knew ye. Kate offers to go with him to the crime scene, since Dave is in court.

Vicki pushes her way into Henry’s apartment over his protestations that it isn’t a good time. She wants to talk about Camille, and gives the bum’s rush to Henry’s lady friend. Oh, the knife and stuff are from the Norman Bridewell case, which was obviously 11 or fewer episodes ago, and yet I have zero idea what we’re talking about. I think that was the incel who summoned demons? Did he look like Ethan Hawke? Is that who the demon is?

Anyway, she interrogates Henry about destroying the stuff used in that summoning, and he says he “took care of it”, not that he destroyed it. Oh, because he separated them. Vicki wants them destroyed, and yeah, that seems the better plan? Why didn’t you just do that, Henry? But he agrees to contact the friends who have the other items (he has the knife) and destroy everything tomorrow.

Camille is… hanging out by a dumpster? PLOT TWIST: she’s the demon in disguise! What! I’m genuinely surprised, good going, episode 12!

I can hear it, too

And yeah, I think this is that incel guy. He contacts Astaroth, the demon who wants Vicki, for whatever reason, and of course Vicki and Henry are going to gather the shit Norman needs to summon so he can snatch it from them. Again, Henry, why didn’t you just destroy stuff before?!?!

In Mohadevan’s lab, Mike and Kate have no ID, but enough evidence to assume it’s the same killer as “5 months ago”, and Kate notices built forearms and palm callouses, pointing to a hockey player. Mike isn’t thrilled about this being Norman again, or a copycat, but he is impressed with Kate’s deductions.

He’s not as impressed that Vicki leaves her office door unlocked, but, like… it’s an office? She has clients coming in all day? Weird ask, Mike.

He tells her about the body, she tells him about “Camille”, he tells her to go to his sister’s vacation home in Mexico for a while. She tells him it’s not like witness protection, and she’s right. Lore says demons will find you. Mike asks what the plan is, so she tells him, and the we cut to her and Henry gathering items.

Vicki, predictably, is a bitch to Henry’s friend holding the chalice, and I like that he’s a bitch back to her, but she could just… not be a bitch. Like, I think they’re trying to show her as fed up with demons or being in danger or something, but she has just been vinegar in every scene, complaining, whining, yelling, confronting. I don’t get it.

Henry’s friend put a concealment spell on the chalice, so it won’t be seen ever again, and that’s that. He’s not helping find the thing, even to destroy it, because it’s safely invisible and probably not able to be destroyed anyway.

Vicki walks home because she’s so pissed.

Kate tries to get some info out of Mike about the case and Vicki’s connection to it, then settles simply for warning him away from it when he doesn’t give her anything. He tells her he won’t work too hard, and she says she’ll buy him a drink. Oh, good, rope another person into this bizarre love triangle.

I can hear this one, too!

And… chalice friend is dead. Obviously saw this coming, we were set up to, but Norman dressed up like Vicki to kill him and take the chalice – because the magic of the concealment spell dies with the one who cast it.

Mike and Kate are of course called to the antique store where the chalice was hidden to examine the body. They’re bouncing some theories back and forth when Vicki shows up, because Mike called her. Kate isn’t thrilled, because Vicki’s NOT A COP ANYMORE. This is Kate’s first homicide case, I think, and no, Mike, she doesn’t want a civilian fucking it up for her. Just because you think Vicki can do no wrong doesn’t mean it’s true.

Vicki makes a snarky comment about bodies first thing in the morning, and Kate says it’s “always nice to have a joke at a crime scene”, and Vicki responds with “OUCH”.

VICKI. WTF. You’ve been a raging cunt to everyone in this episode and you can’t handle Kate’s actually incredibly mild joking criticism? Seriously? Seriously.

Seriously, just so awful.

Vicki tells Mike about Maurice, the chalice guy, and that the killer has what he came for, and he just needs a couple more things. She goes back to the office and tells Coreen to track down Camille, the psychic, because she may also be in danger. Vicki isn’t going to just give in; she’s going to find the other items and destroy them.

Oh, hey, look at that! Remember Dr. Sagara, the random pop up character that they all acted like we knew already? Turns out she’s one of Henry’s closest friends, and he gave her the grimoire used in the ritual. Vicki is outraged by this, but I don’t know why, and I refuse to care.

But just minutes after telling a grieving Henry that he isn’t responsible for Maurice’s death, she tells a grieving Henry that he’s painted a target on Sagara. Which one is it, Vicki? Is Henry responsible or isn’t he? Or do you just want to yell?

a "keep calm" poster, but it says "fuck this guy"
And by guy, I mean Vicki

Henry refuses to contact Sagara, because he maintains that doing so would put her in danger, would lead the demon guy right to the book. Vicki wants to go get the book and burn it, right this minute. They have this conversation on the street, by the way, within hearing distance of an unhoused person.

Who is, of course, Norman. Jesus Christ, Vicki, were you a cop? I’m starting to have my doubts.

So I’m guessing Dr Sagara is dead. Fuck’s sake.

Sure enough, he shows up dressed as Henry, she hands over the book, but she also distracts him with talking – first about how much potential Norman had, which pleases him, and then about making Vicki truly love Henry, like she did. Huh, all this time, I thought Dr Sagara was pretty cool, but knowing she fucked Henry makes me suspect she’s just hiding her awfulness better than Henry or Vicki do. Anyway, Norman doesn’t kill her, so yay, I guess?

He does, however, take the advice to go tell Vicki he loves her. Advice meant for Henry, of course, but he goes to her office and repeats some of Sagara’s words about fear, and he gets Vicki to kiss him.

Which goes badly, because Norman doesn’t know how to kiss, obviously. So Vicki changes tack and says they should go get the dagger from his apartment and burn it and the book. To which Norman-as-Henry responds, “the knife is in my apartment?”, and then knocks Vicki out cold.

So he can show up as Vicki, at Henry’s apartment! It’s like someone saw that X-Files 2-parter where Mulder and the Area 51 guy switch bodies and thought it would be as charming to do with these horrible flesh bags. It’s not. Not even a little.

this is a great episode, truly amazing tv

Real Vicki tried to call Henry upon regaining consciousness, but Henry doesn’t answer. He seems to be fooled, but obviously knew it wasn’t Vicki when she failed to scream at him as soon as he opened the door. He almost kills Norman, but Vicki busts in at the last moment for a Vicki-on-Vicki fight. Real Vicki gets the upper hand through her tattoos, and Norman turns into himself and then bats and whooshes out the door. Vicki kisses Henry for real, for some reason? because Norman slashed him? and she’s bleeding? does that hurt him that badly? … Well, they kiss, anyway, and then Vicki says she has to warn Coreen that Norman shape changes.

Which, of course, he does again to get into the office and snatch her. Trade the dagger for Coreen, meeting place at his apartment, all to get us to the big showdown.

Camille’s body turns up, and she had a record, so they can ID her. She lived in Norman’s building, and Vicki conveniently calls just then to tell Mike she’s headed to Norman’s apartment. Mike tries to dissuade her, but of course that won’t work or it ruins the cool ending sequence!

the writers when confronted by a single question

Kate calls out all Mike’s secretive nonsense regarding this case. He says he’ll fill her in when he can, but she knows that’s a cop out. She tells him he can keep it all to himself, and that’s exactly who he’ll have for backup – himself. She won’t help him when it all hits the fan.

Oh good, last 10 minutes! I do have to admit, this episode has kept it together much better than most. I’m just mad that none of the characters are worth a pinch of spit.

Everyone converges at Norman’s, and of course, it looks like he’s going to prevail. There’s a little chanting, a little portal opening, and then he slices Vicki with the dagger. But what’s this? Vicki had the dagger blessed by a priest on the way over? The spell starts faltering, Norman gets stabbed, and they throw him into the portal to close it – but not before he confirms that weird stuff has been attracted to Vicki since she was branded, and that she should embrace the power of her tattoos.

whoo boy. I have to give it up to the writers for keeping the plot together (enough), but fuck’s sake, why is Vicki a bitch?!

till next week!

SGRoA: Blood Ties S1 E10: Necrodrome

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Two vampires enter, one vampire leaves. Or at least that’s what I said when I saw this episode title. Let’s dive right in!

Vicki and Henry are on an infidelity stakeout – Vicki is still a PI, after all. Henry tells a story about getting caught in flagrante with a Vegas mobster’s moll, and getting dumped in the dump. It’s cute, which is something new for this show.

Meanwhile, at a funeral home, the new guy is getting his embalming skills critiqued by I’m assuming his boss, an older undertaker. Neither of them seems thrilled, but young guy is especially bored-looking, in addition to wearing the world’s worst wig. They leave the dead guy to be filled or drained with red fluid, but the transfer is interrupted by a hooded figure, who brings the corpse back to life.

The body’s name is Diesel Swanson, and Boris, the older undertaker, has called Vicki in to look for the body. He doesn’t want to call the cops, wants “discretion”. The back door was “jimmied” open, and he doesn’t want to call the cops because he has the resurrection on camera – something he says the police wouldn’t understand.

Back at the office, Henry is sniffing the hell out of Vicki, and after an uncomfortable amount of time, he says she smells like death. No duh, she went to a funeral home. Why do you like it so much, Henry? Weirdo.

Vicki shows him the resurrection video. Henry says the necromancy is probably Egyptian, based on the mask of the necromancer. Guy left no prints, never showed his face, knew which door was closest to the body… Vicki thinks it’s an inside job.

So she and Henry head down to ask the ME if she knows Boris, the head undertaker, in a professional capacity. She does, has since she started the job. She doubts very much that he had anything to do with the resurrection: “Nobody likes an Easter weekend.”

woman in a green top doing a spit take
they hired funny writers this week, y’all!

Oh! She recommended Vicki to Boris! Thank God for subtitles, they literally have never said the ME’s name before this episode. It’s Dr. Mohadevan.

So it’s a no on Boris, no on another disgruntled employee. It really comes down to motive: maybe Swanson did it for himself? But Henry points out that Swanson has merely been reanimated, not resurrected: he has no free will, retains no personality. His animation serves only the necromancer who raised him, not his own ends, so it’s highly unlikely this was set up by Swanson or his widow.

Vicki goes back to talk to Ivan, Boris’ son, the young undertaker. He talks about growing up at the funeral home, how the other kids thought it was cool. He doesn’t seem entirely genuine, but maybe that’s the wig. Even his goatee looks suspect, though I’m pretty sure that’s real. Vicki asks about unhappy customers; he claims they’ve never had one.

On to the widow; this is, after all, a procedural. Swanson had been a boxer, but got a ban for betting against himself? for himself? doesn’t really matter. He was kind of a drunk, got a job at a local sports bar as a resident celebrity and got free drinks. Widow is packing to move to her sister’s, and seems sad, but not destroyed. Also seems like she didn’t have a reason to resurrect him, and doesn’t know anyone who would.

not a lot of jokes when they’re being competent, sorry

Vicki heads to the precinct, because of course we need Mike on this. He asks why the police weren’t called, and doesn’t interrupt when Vicki says Swanson is walking around. She asks if he’s heard anything about grave robbery; he says that’s major case squad; she asks him to keep an ear out.

Coreen has been investigating the mask; it represents Anubis, which she says all weird, AN-you-beess, whatever. It’s Canada.

Supposedly Anubis resurrected Osiris, which is not what I remember from Anne Rice, but hey, it’s mythology. So now all Vicki has to do is find an Egyptian necromancer operating in Toronto.

Vicki and Henry are fighting because… Henry didn’t want to work the case? When did that happen? Literally nothing happened at the medical examiner’s office or since then to indicate Henry didn’t want to help on this case. But he’s reacting to Vicki as if this is something they both know happened, that was in the text, that we the audience also know happened. Problem is that we don’t, and that this is how almost every conflict on this show is rendered. Nothing happens, suddenly everyone’s angry and they all know why. And I, like I hope a good chunk of their audience, am sitting here, staring at the TV with furrowed brow, absolutely fucking lost.

like. what???????

Don’t do this. Don’t write like this. I have no idea how so many people working on this show, week in, week out, were all just like, yeah, conflict happens for zero reasons all the time! this is a great script! but, like, just… explain shit! Give these people conversations! Stop cramming in conflict for its own sake!

ANYway… Egyptians believed the soul was split in 7 parts, all of which Henry knows, because when you’re alive for 400 years, you get to learn things, even if Vicki snarks about it. I swear, this show is so relentlessly neurotypical sometimes, why is being smart bad? Why do these people hate facts and think it’s ridiculous anyone would know anything?

Miss Piggy looking irritated or angry
I’m sorry, I’ll get over myself. Maybe.

OMG, it really is two dead guys enter, one dead guy leaves! Swanson is fighting in the Necrodrome! Announcer guy has a big ol’ mask on, probably the necromancer or knows them. There’s a cage, there’s lighting, there’s an audience. NECRODROME!

Dave lectures Mike about looking at the bright side of an early-morning body dump. He brought French crullers! And obviously the body is from the Necrodrome, a wrestler who died of an aneurysm a few months ago. Mike immediately makes the connection to Vicki’s boxer bodysnatcher, and Dave is confused – there hasn’t been a homicide?

Mike goes to see Dr. Mohadevan, who lets him know that Swanson might have been poisoned by Tylenol. So now he’s on the case, and when Vicki isn’t very helpful – because she doesn’t have anything new – he goes off to interview the widow.

Luckily, we stay in the precinct for Mohadevan’s autopsy of the wrestler guy. He has half a carved stone stuck in his throat, much like Swanson had something shoved in his mouth by the necromancer.

Mike’s interrogation of Mrs Swanson focuses on the Tylenol, whether or not he was poisoned. She maintains booze did him in: why doesn’t Mike go check the bar?

So Mike does, and I’ll be honest, I don’t know why we’re working the case twice? They cut this book down to 40 minutes and can’t give us an explanation for any of the fights, but we can have Vicki and Mike both do the same job twice? The bar bouncer gives Mike his full name, for some reason, probably because he’s the necromancer or some shit. Episode started off so well, and now nothing is funny *or* sensical.

After doing more book research, Vicki posits that the necromancer is the guy who wrote the thesis they’ve been using to research? Is that why we had a very weird conversation about Coreen having a friend at the museum who lets her borrow stuff? When were they going to tell us it was a phD thesis?

TELL YOUR AUDIENCE THINGS!

Henry and Vicki go to thesis guy’s apartment, I guess? They aren’t telling us, just Vicki says it’s thesis guy and then she and Henry meet Swanson in a stairwell. He can talk, apparently, good for him. He runs past them and jumps off a balcony and is just gone.

Henry and Vicki search the apartment. She finds a printed page of… HTML?!

They take the page to Coreen, who… types it into her computer? and they find the Necrodrome site? that plays video of the Necrodrome? A TYPED SHEET OF HTML?!?!?!?!?!?!

Y’all, I do not understand how computers work. I don’t understand how my phone works. I am a late-adopting, only know how to get on the internet because I got it when I was 18, certified GenX computer illiterate. And even I know that a printout of HTML is not going to get you any of this. WTF.

Vicki needs Necrodrome explained to her, so maybe it’s just that Vicki’s dumb and doesn’t know things, so lashes out at anyone with facts. She calls Mike to tell him about Necrodrome.

Oh, look, the bouncer guy is the thesis guy is the necromancer. At least someone knows some narrative tricks.

And now everything moves very fast: Mike tells Vicki to stay out of it; the computer nerd at the precinct finds the server for Necrodrome in Toronto; Henry hears a train announcement in the Necrodrome video. Everyone converges. Mike gets there first, and no, turns out Ivan is the necromancer. He’s killed thesis guy, but Mike will make a better challenger for the fight.

Vicki and Henry show up just before things get started. Henry hits the sirens in Mike’s car, so the audience scatters. Ivan monologues about the crimes – he doesn’t want to be an undertaker – and then Henry comes in and saves the day. They arrest Ivan, they let Swanson die again, and return him to the funeral home so his widow can see him.

Ok! That certainly was one of the television shows of all time! I hope you’re all backing the writers’ guild, because holy shitballs, is it apparently difficult to write 40 minutes of anything that makes sense. I mean, I only write novels, I get to edit as long as I want, I have to imagine the working conditions on this show were absolute garbage, because so is their output.

Just explain things!

SGRoA: Blood Ties, S1 E4: Gifted

SGRoA post 92 of 122

Y’ALL. I have been watching that LuLaRoe documentary on Amazon and OMG. OMGOD. These people are something else. Have you been watching? Have you ever been involved with LLR? Let me know in the comments or on my socials, because holy fuck, is that some good trainwreck watching. Almost couldn’t pull myself away for a recap this week. Almost.

We open on a… comic shop? It’s named “Beguiling”, which screams “boutique clothing” to me, but sure, it can be a comic shop. Vicki is hanging around, reading “Blood Price”, one of Henry’s novels. Convenient that it’s one of yours too, Vic! A couple guys who work there try to talk to her, and they’re acting like their super nerds who won’t ever see a woman’s unclothed ankle, but this is 2007. I can guarantee nerds hot enough to be cast in a television show were drowning in it – just like all nerds, everywhere, when they’re just regular people. Why we keep hanging onto this nonsensical 1950s high school hierarchy as a society is baffling to me, and I need it to stop so I don’t have to take a giant paragraph to bitch about it at the beginning of my supposedly funny tv recaps!

Blergh. Anyway. Henry’s in there every week for new comics Wednesday and they banter about getting to know each other – Vicki says the books will tell her a lot more than he will, but honestly, I wouldn’t take the author’s views as the person’s, Vic. I write a lot of shit that looks absolutely nothing like my life, trust. I am very boring in person.

Somewhere else, a lady is trying to get her daughter down for the night because the movers are coming in the morning, and they are apparently going to pack every single item in this house before they move it anywhere, because this kid has art on the walls – in frames and out – and toys everywhere and fancy curtains still up and clothes on the floor. Like, come on. My places have all looked like depressing squats the night before moving: bed on the floor, nothing on the windows, every trace of human levity or joy replaced by builder-standard finishes and ugly beige paint. I wanna know how much these luxury movers cost, man!

So, kid refuses to move and says she hates her mom, and then the whole house shakes and a monster appears in the kitchen. You know, normal kid stuff. And then it’s time for the theme song!

not pictured: that kid’s monster

Coreen has run an ad for the PI biz, proclaiming no case too strange and that they specialize in the paranormal. Vicki protests: “I’m not Ghostbusters!”

nope, she’s defs not in this pic

But it’s getting them clients, and clients mean money, and Vicki’s 10:30 is already here. They tell the story absolutely super backward – clearly we’re supposed to assume that this woman is related to the lady and the kid we already saw, but there’s literally zero indication of that until the end of the conversation. So in order, here’s what happened: Old Lady (Emily) came in to get help finding her daughter’s husband. Her daughter, Celeste, has been murdered, and Emily knows that Steve (the husband) didn’t have anything to do with it. But Emily’s granddaughter, Sarah, is living at her boarding school now, and she’ll have to go into foster care if they can’t find Steve. I think. Again, they told this fucking backward for zero reasons, and I am assuming that Celeste and Sarah are the mom and kid and demon imaginary friend.

SO. Vicki takes the case, obvies. Emily is sure that Steve had nothing to do with the murder, so Vicki gets to work.

First stop is watching the tapes of Sarah’s interview with police, where she’s a little too adamant that no one else was in the house besides her and her mom. Celeste’s wounds look like bites and scratches, and they have no leads yet. Steve and Celeste split a year ago, and Steve seems to have vanished, so much so that no one thinks he’s involved in this murder. Mike’s boss tells Vicki in no uncertain terms that she’s not on the homicide, so stop asking difficult questions and stick to your stupid missing persons case.

Vicki manages to leave without fighting with Mike – but that’s just because Mike manages not to say anything misogynistic or ableist while she’s standing there.

But then Graham (his partner) comes in with the background check on Henry? which he already did? so I guess this is, like, a deeper one? I guess we just have to rehash Mike’s reasons for being such a dick, though it won’t provide any justification, MIKE.

Vicki heads over to Sarah’s school and talks to the headmaster. It’s a school for “gifted” children, which is a whole other boondoggle of a term that I’m not going to get into here, but trust, it’s all bullshit. Sarah is supposedly a talented artist, but Steve wasn’t into the art, or Sarah’s education at the school. The headmaster wasn’t impressed with him, but we don’t get any more of that because Sarah’s brought in to talk to Vic.

Sarah maintains that her father doesn’t want her – that he, in fact, hates her, and left because she was bad. Vicki reassures her, as you would, but Sarah runs off. So Vic goes back to ask the headmaster some more questions about Steve.

Meanwhile, Henry’s getting his drink on at a club while Mike is interrogating the weird-ass doorman dude at Henry’s building. Doorman lets slip that Henry tips well at Christmas, keeps night hours, and has a revolving bed of women in and out of the penthouse.

Vicki cuts short Henry’s meal to request company at Celeste’s house. Vicki’s searching for anything that might indicate Steve’s whereabouts – she finds it hard to believe that he would just abandon his family and never talk to them again, though that sounds like a tale as old as time, to me. All she has so far is Emily’s word that Steve is a stand-up guy, but everyone else says he just up and left. I understand she has to do her best for her client, but wouldn’t it be easier to check DMV records or something?

While going through mail scattered on the floor, Vicki finds one of Sarah’s pictures in an envelope from the school, with a note for Celeste to call Sarah’s teacher. It’s dated one week before Sarah died, and the picture shows Sarah standing over a dead Celeste in the kitchen, a giant monster standing next to her.

Vicki and Henry head to the ME’s office to ask about Celeste’s murder. Claws again, though clearly not from a dog or wolf or bear or anything. Also, whatever it was kept clawing at Celeste after she was dead. Henry asks the ME if the thing Sarah drew in her picture could have made the wounds on Celeste, and she says sure, if that thing existed. Vicki and Henry head out, but she’s not happy about him showing the pic around, because it doesn’t mean anything, monsters aren’t real. Henry disagrees.

So, Steve’s a mechanic and into classic cars, and Coreen finds him by calling classic restorers in the greater Toronto metro. So, Coreen is the PI now? Vicki just hangs out with Henry doing unnecessary B&E’s?

Dr. Crusher rolling her eyes with the caption, Sure, Jan, from the Brady Bunch meme

Before going to interview Steve – and, presumably, have to tell him about the death of his ex-wife and the orphaning of his child, since the cops didn’t know where the fuck he was – Vicki tells Coreen to “get on the Net” (yes, it’s capitalized and everything!) and research anything supernatural that could be Sarah’s monster.

Huh, Steve’s a short king, and very much not in the mood to be asked questions about his ex. Oh, he does seem like a jerk: he gives Vicki an alibi immediately, and says he cannot help Emily, she’ll have to find someone else. Vicki protests that that’s his kid! but he does. not. care.

Vicki thinks it’s all hinky, especially now that Steve won’t have anything to do with Sarah. To be fair to Vicki, Steve definitely didn’t act like a guy who hated his family, or didn’t want to be a father. He seems like someone who literally cannot help, and is tired of being asked. Vicki talks it over with Mike, and she’s pretty insistent that something’s weird, but Mike, as usual, thinks she’s wrong.

a "keep calm" poster, but it says "fuck this guy"
every episode, apparently

So Vicki goes back to talk to Sarah, who maintains that Daddy left because he hates her, but he never hurt her or her mom. Vicki asks about the picture, and Sarah says that’s not her dad; that’s Buttercup, her stuffy! Buttercup wouldn’t hurt ANYONE, and she resents the implication, and she runs off to her room.

So Vicki talks to her classroom teacher. Sarah’s been drawing weird shit for over a year; Steve never seemed to care about her; Teacher was trying to get hold of Celeste to discuss it. While they’re talking, though, the headmaster goes through a locked door to a hidden part of the school, where they’re doing psychic experiments on the kids. Sarah’s in this weird bit, and he says that they “have to talk about Buttercup”.

He tells her that Teacher betrayed them by sending the pic to her mom, and Teacher must be dealt with, or Sarah will end up going away. Sarah says, as the school starts shaking, that she doesn’t want to hurt anyone, but the headmaster goads her into producing Buttercup and attempted-murdering Teacher.

Mike shows up at the school because the paramedics called him because Vicki was involved.

a "keep calm" poster, but it says "fuck this guy"
STOP MAKING ME USE THIS

Mike asks what happened, and Vicki tells him, and Mike thinks she’s lying or crazy or hysterical or whatever. He brings up Henry again, because OF FUCKING COURSE, and then leaves in a huff, luckily just before Henry shows up to accompany Vicki to interview Steve again.

He tells her that she has no idea what’s happening, and she should stay away. Besides, Celeste wouldn’t let him help Sarah at all, anyway. Steve’s super stroppy until Henry mojos him, and then he says fuck it, I’ll tell you.

Sarah’s imaginary friend kills and hurts people. They were desperate for help when Headmaster found them, and at first the school seemed good – incidents stopped around the house, Sarah seemed happy. But then she would want something, and Buttercup would just take it. Things escalated until Buttercup attacked Steve, and he knows that’s what killed Celeste. He’s terrified of Sarah, and with good reason, and he will not take her out of that school. He stalks away, though he can still hear Vicki as she screams the house down about abandoning fathers. Look, Vic, your dad sounds like an asshole, but your psychic-powered imaginary friend didn’t try to kill him, so mayyyyyyyyyyybe these situations are a little different?

Mike is still trying to figure out Henry, so he’s at the comic shop, being condescending about From Hell and asking rude questions. He learns basically the same things: night owl, lots of hotties throwing themselves at him. He obviously follows this up with staking out (heh. stakes) Henry’s apartment.

Steve is going around the damn bend. Drinking at work, pulling a gun out of his toolbox and loading it. He calls Vicki’s office and leaves a message about taking Sarah out of the school, and Vicki goes after him, trying to get Henry’s help on the way. She runs into Steve immediately, and says she’ll help him get his daughter.

Henry gets Vicki’s message as he leaves his place; he hurries to his car and Mike follows.

Headmaster goes to the secret door and unlocks it; Vicki and Steve accost him and follow him in to Sarah. Steve says he’s taking her out of the school, and Sarah starts wilding out. Henry and Mike stop for a small spat in the front driveway about Mike’s following Henry, but then they’re headed in to “save” Vicki, who’s having to listen to Headmaster monologue about… Satan? giving Sarah her powers? Weird addition, but sure, makes a good monologue.

Henry breaks down a door that Mike couldn’t budge, and how long is it before Mike figures out the vampire thing? Or won’t he, because that’s too “hysterical”?

Sarah’s being a bitch, the room is shaking, Buttercup is on the loose, Henry breaks in and is choking Headmaster, Vicki and Steve are talking Sarah out of her bitchery. Sarah acts nothing like a child, just for the record. I don’t know any children who have ever acted like this, or ever would, no matter who was influencing them to use their freaky telekinesis. Pretty sure Sarah’s like, Fae or some shit, man, but this is the end of the episode, so of course they convince her that Steve loves her and Headmaster is a bad guy, and Buttercup is a dick. Everyone goes home happy, Headmaster goes to jail, and Mike is reduced to asking Henry “what” he is.

So Henry answers.

And Mike promptly overreacts about the vampirism.

a "keep calm" poster, but it says "fuck this guy"

SGRoA: Blood Ties, S1 E1: Blood Price, Part One, Triumphant Return Edition

SGRoA post 89 of 122

Yo yo yo yo! How are you bitches? I took a little vacation from the recapping scene to recover from Moonlight, which I think we can all agree was extremely warranted. But I’m back! I’m recovered! I’m ready to get back in the game with our newest offering: Blood Ties!

Blood Ties is a 2007 series that aired on Lifetime, based on the series by Tanya Huff, a fucking LEGEND in vampire fiction circles. I read a bunch of these, but honestly, might go looking for them again, since I don’t own them. Our main character, Vicki Nelson, is a detective-turned-PI when she’s diagnosed with Retinitis Pigmentosa, which ruins her night vision first, and I believe she slowly loses more vision over the series? but I could be misremembering that part.

Anyway, she teams up with Henry Fitzroy, bastard son of Henry VIII and a vampire! And they solve crimes and have adventures and I loved, loved, loved this show when it first ran, so I hope it holds up. I had only a very vague recollection of Moonlight, and I think I understand why after a rewatch, so here’s hoping my fond memories of Vicki and Henry aren’t also misremembering! Let’s get started!

you can hear it, can’t you

We open with Vicki walking down the street, talking to her mom. Vicki is played by one of our very own recurring guest stars: Christina Cox!

You may remember her from her TWO appearances on Forever Knight, as both a traffic cop and Jeanne d’Arc, and IIRC she was in a Moonlight ep, wasn’t she? (I’m already wiping it from my memory, with only this blog to serve as a grim reminder of what I must never watch again.) Anyway, she’s talking to her mom and serving up some bad dialogue to let us know her mom is on her case about finding a husband. Boring, but it was on Lifetime, so, you know.

Meanwhile, in a basement somewhere, a dude is chanting in Latin in a candle-lit room. Seems to be summoning a demon, I think? I mean, nothing good is going to come of this, regardless of demonic existence. We cut to a dude walking down the street on his phone, and he sees a guy in a long coat, which he says is cool to whoever he’s on the phone with. And then there’s some super weird editing nonsense, but in a nutshell: Long Coat attacks Dude on phone, across the street from where Vicki is standing.

She darts into traffic because she wants to help Dude, obviously, but also because she hasn’t really changed her life to deal with her RP. Long Coat is already gone, of course, because this is set up like a vampire attack, and Vicki is mystified as we head into our opening credits and rockin’ theme. (All of these people have insanely chiseled chins, it’s bizarre.)

Hokay, so! Vicki calls it in, looks like Dude is dead. Detectives Graham and Celluci have caught the case, and Vicki mutters about Celluci. My money is on former partner that will be a maybe love-interest, especially since he’s played very handsomely by Dylan Neal:

Graham – Celluci’s new partner – has heard a lot about Vicki, who is apparently a legend for running through partners like water. She fires back that she wonders how long Graham’s going to last, so my money is now solidly on the “fractious ex-partners, maybe lovers” trope for Vicki and Celluci.

Vicki gives her statement, and then she and Celluci start fighting about it because we have to lean really hard on dialogue to establish character here, for some reason. We could have understood the bickering even if it weren’t shouted like they were a football field apart. Shame no one let the audience do their job. But, turns out that this murder is “just like the other one”, though Celluci refuses to tell Vicki any more about that, because she can’t expect to be treated like a cop anymore.

At her office the next day, a goth girl comes in demanding to know what happened last night, because “you were there!” Turns out, Dude was her boyfriend, and she knows who killed him – a vampire. Her name’s Coreen, his was Ian, and she wants Vicki to help her find the vamp who did it.

Vicki is obviously skeptical, but she takes the case – though she says she’ll only put a few days into it unless something really pops. And she warns Coreen that probably, nothing will.

Meanwhile, a vampire is getting a woman out of his bed and out of his apartment with a little good sex followed by a bite and a little innocent hypnotism. Once she’s gone – happily and alive! – he heads out for something. His doorman stops him for chitchat on the way out, mentioning the “vampire murders” he read about in the paper. Vamp Dude overreacts to that, yelling about how vampires aren’t real and the people who write that kind of shit are “idiots!” The doorman is like, uh, yeah, sure boss, whatever, and then Vamp Dude walks out with his newspaper.

This has to be Henry.

Vicki is back in the alley, scene of the attack, at night for some reason, but at least she has a flashlight this time. She takes a pic of what looks like some sort of sigil on the wall, and heads further down for clues. Behind her is Henry, right on time, to pass his hand over the sigil and Flashback for us ever-so-briefly, to being held down by men in black robes, chanting Latin. Vicki turns from collecting something out of a crack in the wall and hails Henry, but he uses a passing van to disappear before she can ask him anything.

Next stop is the medical examiner’s office! Mysteries are nothing if not predictable, which is probably why Moonlight pissed me off so much. There’s a formula! There’s beats to hit! Blood Ties is certainly doing its job in that respect. The ME is more involved in solving the kid’s murder than that Vicki isn’t technically a cop anymore, so she lets Vicki sit in on her preliminary examination. She confirms that there was another murder just like this, victims punctured by something super-sharp, both drained of blood. Vicki gives her the stuff she pulled out of the wall; a quick test confirms it’s blood. If the ME finds anything else, she’ll let Vicki know.

Demon Summoner Dude – Norman – is hanging out at the coffee shop where, surprise surprise, Coreen works. He has a sketchbook full of her, and some friends trying to say hi. He brushes them off – no time to hang with undergrads, he’s going through changes, he’s going to end up with the money and cars and girlfriend. They’ll see.

Coreen comes around and he settles up the bill with a huge tip. The friends wonder where he got all that money, but he just mentions again that “things are changing”. It is clear that Coreen doesn’t know him and isn’t interested, and I’m annoyed that we have been writing incel villains for roughly forever and it’s changed absolutely nothing about incel behavior. Delightful. Love it.

Celluci calls Vicki’s office to bother her about her visit to the ME – who’s actually a coroner, sorry, she didn’t even get a name in that scene, so, y’know. Vicki suggests sharing their info on the case, and Celluci says sure, meet me for dinner. She’s a little surprised, but agrees.

Norman goes home to an apartment full of arcade games and a jukebox, opens the door to his demon room, and summons his pet demon guy. Norman demands more of everything – more money, new clothes, a Porsche. His cockney demon says that he knows what it costs – “blood and souls”. Norman says yeah, I know, go do your thing, and the demon scampers away.

Celluci and Vicki get Chinese takeout and Mike (Celluci’s much-easier-to-type first name) doesn’t want to give up the goods on the case. It’s too hot, the info can’t get out, she knows better! Then he starts telling her she should try yoga for her RP.

Not literally, but, like, he’s telling her all about the latest research or some shit. She calls him out on it and he says he just “cares” about her, and if she’d just made some simple adjustments, she could have lived “a completely normal life!”

The fuck, dude?! No, for real, the fuck? I hope I’m not supposed to like this guy, because I really, really do not.

Mike makes her a deal: she tells him why she’s on this case, he’ll tell her SOME of what he knows. She makes him go first: they assume a perp on drugs, a razor for a weapon, the blood is ritualistic. Occult. Standard nonsense. Vicki gives up that she’s working for Coreen, and that she thinks a vampire did it. Mike dismisses it immediately, but Vicki points out that the blood had to go somewhere, and she didn’t see a blood vacuum at the scene when she was there. But then again, vampires are ridiculous, so clearly that’s not a real option. Let’s have another beer.

Our third victim gets into her car in a garage, and is promptly taken out by the demon – who stabs her with a sharpened fingernail. A claw?

Vicki had too many beers: she and Mike are making out at her cab. She says something teasingly mean, and he puts her in the cab without another word.

Henry is reading his paper at a diner; the waitress says vampires are a sign the city is world-class. She never mentions the city, but I remember this being Toronto, and in that case, girl, where have you been? That shizz is overrun with vamps. Vamps out the wazoo. Vamps out our ears. Vamps from here to the dance floor (to understand this joke, please see the 1990s Noah Baumbach movie, “Kicking and Screaming”).

He leaves and heads to a club, where Vicki is waiting outside to get in. From the clubwear of the patrons, I’m guessing this is a goth hangout, and thus both our protagonists are here to check up on Ian and Coreen’s friends and enemies. It is not, unfortunately, The Raven.

Vicki gets in and Henry asks her immediately what she’s doing there, with something like gloss on the words, but Vicki shakes him off and leaves. Henry stops a waiter next, and asks him about Ian; waiter says he had words with two guys, and Henry goes to talk to the guys. Real toughies, too, probably think they’re going to rob him or some junk. Oh, Ian was a waiter here, too. Henry establishes that they didn’t kill Ian – they aren’t that kind of evil – and of course has to beat his way out of the situation.

Vicki asks at the bar about Ian, and gets the same story from the bartender. He calls over other waiter about the two guys, and other waiter says they all went outside, so Vicki follows. She finds the guys, but no Henry, and no memories.

Guys, this show is pretty good, I am digging it! It can’t hurt that it’s based on actual books that were actually edited and already made sense, of course, and some of these directing and editing choices are a little weird, but it’s a pilot! I’m just so relieved that we’re back on more Forever Knight-esque footing than whatever-the-fuck Moonlight was. It’s like sinking into a featherbed after a long day of hard work.

Cate, overdosing on vampires

So it’s late, and Henry gets caught by the sun just before he makes it home. The doorman comments on his hand being burned – “I was making a friend dinner” – and Henry flees upstairs. Pretty standard lore exposition, but I can’t fault them for using a winning formula.

Graham and Celluci talk to the hot dog vendor who found the third vic, and the light is…bizarre. It’s daytime, sun shining, but there’s a blue filter over everything? Like, more than Twilight, even? It makes me wonder about day-for-night shooting: like, maybe they’re making the daylight shots look purposely strange so the night stuff, when it’s not really night, might not look bad? Or something? Because it continues into the next scene with Norman trying some PUA shit on a college girl, and it’s just like

Anyway, aside from everything being blue, I spotted a BMO Bank of Montreal, so yeah, we’re in Canada. And Vicki’s back at the coroner’s. The blood in the crack was Ian’s blood, and there was a substance on the victims’ throats like saliva. And the cells under the third vic’s nails is almost like batwing, but not quite. Seems like maybe a vampire – “Count Dracula on a bender?” says Vicki. Probably not, says the coroner – but then again, who knows?

I haven’t really been covering the banter here, but this cast already gets along well with each other. Vicki and Mike, Mike and Graham, even Henry and his doorman – everyone gets some quips, some jibes, a little chance to show the relationships. These people get along with each other, they like each other. It makes us more likely to like them, too; even Mike and his stupid yoga.

Vicki pops into the station to talk to Mike about the coroner’s report. He shoots down the vampire talk, but Vicki says she can’t just dismiss that it might be something weird. She storms off to continue her investigation, and Mike is annoyed that she’s not giving up.

Henry is at the scene of the third murder, where that same sigil is on one of the walls. Another brief flashback. This sigil is bad news bears, y’all.

Which is why Vicki is investigating it. She asks Coreen about the pentagram in it, because when she plots the murders, they could be three points on a pentagram. She calls Celluci to tell him she thinks she knows where the next murder could be – just as Norman starts to summon and Henry has drawn his own pentagram, so we can get everyone nearer to the big climax.

Slight problem, though: Norman needs a more powerful demon to get Coreen. Current demon tells him that he needs to do a couple more murders, and then a sacrifice right in the center of the pentagram, and they can get the big guy to get him the girl. Norman says to make it happen, no matter.

The fourth vic screams in the park where demon runs into her; both Vicki and Henry come a-running. The demon is scared off, but not before he tells Henry that his master is “coming for you!” Then he explodes into bats, which is pretty cool. Henry goes to the girl, but she’s already been slashed and is dead. Too bad that’s when Vicki finally gets there; she thinks Henry’s her guy. She threatens him with a nightstick, so he charges her, and when she can actually see his vamped-out face, she faints.

Which is when the police show up, so Henry flees – with an unconscious Vicki still in his arms.

And that’s Part One! I thought about doing both parts of the pilot, but I am old and tired, and I can’t actually sit still that long. But! Perhaps! I will drop an extra recap this weekend, if you’re all good little Snowflakes.

See you next week!