SGRoA: Blood Ties, S1 E2: Blood Price Part 2, Electric Boogaloo

SGRoA post 90 of 122

Been a slow week around here, Snowflakes: just the usual grocery store and laundry folding. So let’s jump right back in!

When we left off, Henry had taken an unconscious Vicki from the park where the latest serial killer/demon victim was. This ep picks up right there, with Henry going through Vicki’s purse as she slowly comes to on his couch. He has a big ol’ portrait of dear old Dad on the wall. There’s a lot of exposition here, everything from Henry not being the killer to Vicki’s RP to the fact that a demon is the killer, and Vicki is skeptical. It’s deftly done, and nicely sets up Henry’s gentle insistence and Vicki’s automatic defensiveness. She demands to know why Henry’s on this case, too, and he just comes right out with it: He’s a vampire.

a black kitten wearing bat wings and fangs
pictured: Henry

He tries to prove his vampyness to her, but she passes it off as a trick. She won’t be easy to convince – though she fears she might be more credulous than she used to be.

Mike finds Vicki’s glasses at the scene. He calls her, but of course she’s not answering, because Henry’s convincing her to team up. He tells her to take the day and think about it, but not to give up his secret. “Who’d believe me?” she says, and heads home.

Where she finds Mike sitting at her desk. He’s worried about her, he’s mad she’s still sticking her nose in, and he’s afraid she’s going to end up a victim of the “serial killer”. She reacts with nothing but hostility, and Mike leaves – only to immediately get harassed by his boss, who is wildly unhappy both with the media attention on the case, and with the rumors that Vicki is involved. Mike lies and says she’s not, but even if she were, she cleared almost every homicide she ever worked, so how bad would that be? Fucking very, says Mike’s boss, and stalks away.

a tabby kitten with floppy ears pointed at the ground. he looks sad
man, tough material for recapping today!

Vicki shows up at Henry’s, since she’s definitely not giving up this case, and Celluci is not an option in like 10 different ways. Might as well work with Henry, Duke of Richmond, as she figures out when he claims the Hank 8 portrait is a “family photo”. He’s impressed at her history knowledge, and she says she minored in it. He writes and illustrates graphic novels, and she admires his wall of work before getting down to the nitty-gritty: telling her about demons.

Flashback Time! The dudes in robes have been the Hellfire Club, that 18th-century group of rich assholes who had nothing better to do than summon demons.

There is a lot of very bad special effects here, and I absolutely love them. The rich dudes are trying to sacrifice Henry to a demon, and the demon is so janky looking, it’s amazing. They really should just have had Henry tell the story. But anyway, he knows it’s the same demon because it has the same scent? or knows it’s a demon at all, because of the scent? It’s a little unclear, and there’s a lot of Christian talk about hell and demons and corruption of the soul and the end of the world and shit. It all comes down to finding the person calling the demons, and they can do that by tracking recent thefts of luxury goods – because demons don’t make riches, they can only deliver them.

So Henry tells Vicki to get on it, he has other stuff to do, and then there’s a weird moment at the door when they almost kiss? but she says it’ll look like she’s robbing the cradle? but she’s like 30 and he’s clearly in his 20s? Oh and some bonus fatphobia about Queen Victoria, because of course, I forget how everything had to tell us how bad it was to be fat for a while there.

captain kathryn janeway, rolling her eyes

Coreen is going slightly insane, telling anyone and everyone that her boyfriend was killed by a vampire, and she’s gonna prove it – she complains about Vicki’s progress, only to go to work and tell one of the regulars the same thing, while Demon Guy – Victor? was that his name? – takes her photo with his shiny new camera.

Vicki heads to the PD to track down stolen goods. Mike isn’t buying it, but she swears, no more vamp case. She’s just tracking down a stolen car. He lets her get away with it.

Demon Guy’s demon didn’t get to drink the last girl’s blood – or not enough, at any rate. Demon Guy says it’s not his problem. Demon says it was a meddling vampire, but it won’t be a problem again, and certainly not when the next demon gets here.

Vicki’s narrowed down the Demon Guy’s “purchases” to an area around the university, but Henry says it’s not narrow enough, and does a spell that Vicki calls “demon GPS” and that shows them where the demon is: a park, hunting his next vic.

Vicki and Henry head down there, and since they have to walk around to find the demon, we get Henry’s origin story. He actually wanted to be changed! But his kind of vamps can’t share hunting grounds, so eventually their relationship ended, but it doesn’t seem he regrets being a vamp at all, and HALLE-FUCKING-LUJAH!

some good fucking VAMPS!

A scream, a yell, a scuffle: they’ve found their demon. Henry jumps right in and fights, the victim runs away, Vicki helps a little, but Henry is wounded by the demon pretty badly. Holy crap! WE HAVE FEEDING FROM THE MAIN CHARACTER! No hesitation, no terrible speeches, no nonsense about how terrible/wonderful/bad/good/sexy it is! Just an arm, a chomp, and enough blood to get him home.

The potential vic from last night is talking to Graham and Celluci, and talks about the demon, Henry, and “the chick” – who Celluci correctly pings as Vicki. Everything is weirdly blue again, because it’s daytime, and the blue filter continues as we circle back to Henry’s doorman, whittling a stake at his security booth to…ward off vampire killers? Kill them? But his first stop is Henry’s apartment? and he has fangs? I have no idea what’s going on here, but Vicki fobs him off by pretending she has Henry in a compromising position back in the bedroom, because the sun’s still up and he’s dead. Well, mostly dead; he wakes as Vicki comes back into the room and since he’s now healed – no weirdness about the blood drinking, no endless speeches about what it means for their rELatiONshIP, I love this show so fucking much – they can get on with the investigation.

Which takes them back to the university, since they’re pretty sure it’s a student who’s controlling the demons. Henry knows a woman who works there, and she’s gorgeous and in her 60s. She calls Vicki Henry’s “new friend”, but he steers her away from that deftly. She has her oars dipped in the occult goings-on, and if they give her a little time, she’ll come up with a few names of kids who are doing perhaps a bit more than dabbling.

Celluci wants Vicki to come in for a lineup, since skate-kid says she was at the crime scene last night – apparently someone actually died? That wasn’t clear. I’m sad he didn’t get away. She’s not going to go, but she does tell him that she’s running down some names, and she’ll keep him in the loop. Henry wants to know what the story is with Mike, but she just says she doesn’t know anymore. He doesn’t press – for now. But he does ask that if she finds the killer before sundown, that she won’t try to take him herself. She agrees, reluctantly.

Vicki gives Mike the list she got from Professor Lady, and clues him in to the red Porsche Norman – not Victor, don’t know where I got that – had stolen. Which should be helpful, as Norman is using the beautiful blue day to harass Coreen, standing by his car. He tells her he believes her about the vampires, and he says he knows who killed her boyfriend, and he can prove it to her. She just has to go to his apartment with him. She’s hesitant, but only for a moment; she does, at least, call Vicki and leave a message that she’s going with “this guy named Norman” to learn about the murder.

Of course, she’s in the car for like point-three seconds and Norman’s chloroforming her. Jesus, dude. Slow down. We’ve gone “slightly pressuring lie” to “tied up in my apartment while I summon a demon” in way less than 10 seconds. Good thing Vicki got the message and put it together with her list! Bad thing she didn’t hear Norman coming up behind her and now she’s the final sacrifice!

But! GOOD thing Vicki has left a message on Henry’s voicemail, and told him the address! So Henry wakes up, grabs his grimoire, and heads out to vanquish demons. Just another Tuesday, yeah?

Norman starts the ritual and the terrible SFX demon from Flashback Time shows up; he needs Norman to kill Vicki so he can fully enter this plane, but Henry and his grimoire have shown up to scream Latin at the demon, and Vicki ruins the salt circle, and then Norman gets eaten by the demon. Kind of a disappointing climax, honestly, even with Mike showing up just as the demon was giving his parting threats, and now needs an explainer.

I’m guessing it was better in the book, but at least it wasn’t too drawn out. They knew the limitations of their SFX; they reined it in. You have to respect that.

In our de-now-ment, as Michael Hobbes would say, we get Coreen hiring herself to be Vicki’s assistant, and Vicki agreeing, which seems nice! Coreen seems weird, but sweet. On the sidewalk outside Vicki’s office/house, she runs into Henry and says they should keep in touch, but he dips as soon as Mike pulls up, and Vicki walks away with him to get dinner, while Henry keeps mysterious watch from behind a lamppost.

AND I’M SO HYPE FOR NEXT WEEK, Y’ALL! This show is so much better than I remembered! I know the jokes are thin on the ground, but honestly, I was pretty swept up in the plot and the decent dialogue and the interesting characterization and – well, I mean, in it just being a good show! Are the special effects laughable? Yes. Is the blue filter for daylight a choice? It certainly is.

IS IT ANYWHERE AS BAD AS MOONLIGHT? fuuuuuuuuuuuuuuuck, no!

SGRoA: Blood Ties, S1 E1: Blood Price, Part One, Triumphant Return Edition

SGRoA post 89 of 122

Yo yo yo yo! How are you bitches? I took a little vacation from the recapping scene to recover from Moonlight, which I think we can all agree was extremely warranted. But I’m back! I’m recovered! I’m ready to get back in the game with our newest offering: Blood Ties!

Blood Ties is a 2007 series that aired on Lifetime, based on the series by Tanya Huff, a fucking LEGEND in vampire fiction circles. I read a bunch of these, but honestly, might go looking for them again, since I don’t own them. Our main character, Vicki Nelson, is a detective-turned-PI when she’s diagnosed with Retinitis Pigmentosa, which ruins her night vision first, and I believe she slowly loses more vision over the series? but I could be misremembering that part.

Anyway, she teams up with Henry Fitzroy, bastard son of Henry VIII and a vampire! And they solve crimes and have adventures and I loved, loved, loved this show when it first ran, so I hope it holds up. I had only a very vague recollection of Moonlight, and I think I understand why after a rewatch, so here’s hoping my fond memories of Vicki and Henry aren’t also misremembering! Let’s get started!

you can hear it, can’t you

We open with Vicki walking down the street, talking to her mom. Vicki is played by one of our very own recurring guest stars: Christina Cox!

You may remember her from her TWO appearances on Forever Knight, as both a traffic cop and Jeanne d’Arc, and IIRC she was in a Moonlight ep, wasn’t she? (I’m already wiping it from my memory, with only this blog to serve as a grim reminder of what I must never watch again.) Anyway, she’s talking to her mom and serving up some bad dialogue to let us know her mom is on her case about finding a husband. Boring, but it was on Lifetime, so, you know.

Meanwhile, in a basement somewhere, a dude is chanting in Latin in a candle-lit room. Seems to be summoning a demon, I think? I mean, nothing good is going to come of this, regardless of demonic existence. We cut to a dude walking down the street on his phone, and he sees a guy in a long coat, which he says is cool to whoever he’s on the phone with. And then there’s some super weird editing nonsense, but in a nutshell: Long Coat attacks Dude on phone, across the street from where Vicki is standing.

She darts into traffic because she wants to help Dude, obviously, but also because she hasn’t really changed her life to deal with her RP. Long Coat is already gone, of course, because this is set up like a vampire attack, and Vicki is mystified as we head into our opening credits and rockin’ theme. (All of these people have insanely chiseled chins, it’s bizarre.)

Hokay, so! Vicki calls it in, looks like Dude is dead. Detectives Graham and Celluci have caught the case, and Vicki mutters about Celluci. My money is on former partner that will be a maybe love-interest, especially since he’s played very handsomely by Dylan Neal:

Graham – Celluci’s new partner – has heard a lot about Vicki, who is apparently a legend for running through partners like water. She fires back that she wonders how long Graham’s going to last, so my money is now solidly on the “fractious ex-partners, maybe lovers” trope for Vicki and Celluci.

Vicki gives her statement, and then she and Celluci start fighting about it because we have to lean really hard on dialogue to establish character here, for some reason. We could have understood the bickering even if it weren’t shouted like they were a football field apart. Shame no one let the audience do their job. But, turns out that this murder is “just like the other one”, though Celluci refuses to tell Vicki any more about that, because she can’t expect to be treated like a cop anymore.

At her office the next day, a goth girl comes in demanding to know what happened last night, because “you were there!” Turns out, Dude was her boyfriend, and she knows who killed him – a vampire. Her name’s Coreen, his was Ian, and she wants Vicki to help her find the vamp who did it.

Vicki is obviously skeptical, but she takes the case – though she says she’ll only put a few days into it unless something really pops. And she warns Coreen that probably, nothing will.

Meanwhile, a vampire is getting a woman out of his bed and out of his apartment with a little good sex followed by a bite and a little innocent hypnotism. Once she’s gone – happily and alive! – he heads out for something. His doorman stops him for chitchat on the way out, mentioning the “vampire murders” he read about in the paper. Vamp Dude overreacts to that, yelling about how vampires aren’t real and the people who write that kind of shit are “idiots!” The doorman is like, uh, yeah, sure boss, whatever, and then Vamp Dude walks out with his newspaper.

This has to be Henry.

Vicki is back in the alley, scene of the attack, at night for some reason, but at least she has a flashlight this time. She takes a pic of what looks like some sort of sigil on the wall, and heads further down for clues. Behind her is Henry, right on time, to pass his hand over the sigil and Flashback for us ever-so-briefly, to being held down by men in black robes, chanting Latin. Vicki turns from collecting something out of a crack in the wall and hails Henry, but he uses a passing van to disappear before she can ask him anything.

Next stop is the medical examiner’s office! Mysteries are nothing if not predictable, which is probably why Moonlight pissed me off so much. There’s a formula! There’s beats to hit! Blood Ties is certainly doing its job in that respect. The ME is more involved in solving the kid’s murder than that Vicki isn’t technically a cop anymore, so she lets Vicki sit in on her preliminary examination. She confirms that there was another murder just like this, victims punctured by something super-sharp, both drained of blood. Vicki gives her the stuff she pulled out of the wall; a quick test confirms it’s blood. If the ME finds anything else, she’ll let Vicki know.

Demon Summoner Dude – Norman – is hanging out at the coffee shop where, surprise surprise, Coreen works. He has a sketchbook full of her, and some friends trying to say hi. He brushes them off – no time to hang with undergrads, he’s going through changes, he’s going to end up with the money and cars and girlfriend. They’ll see.

Coreen comes around and he settles up the bill with a huge tip. The friends wonder where he got all that money, but he just mentions again that “things are changing”. It is clear that Coreen doesn’t know him and isn’t interested, and I’m annoyed that we have been writing incel villains for roughly forever and it’s changed absolutely nothing about incel behavior. Delightful. Love it.

Celluci calls Vicki’s office to bother her about her visit to the ME – who’s actually a coroner, sorry, she didn’t even get a name in that scene, so, y’know. Vicki suggests sharing their info on the case, and Celluci says sure, meet me for dinner. She’s a little surprised, but agrees.

Norman goes home to an apartment full of arcade games and a jukebox, opens the door to his demon room, and summons his pet demon guy. Norman demands more of everything – more money, new clothes, a Porsche. His cockney demon says that he knows what it costs – “blood and souls”. Norman says yeah, I know, go do your thing, and the demon scampers away.

Celluci and Vicki get Chinese takeout and Mike (Celluci’s much-easier-to-type first name) doesn’t want to give up the goods on the case. It’s too hot, the info can’t get out, she knows better! Then he starts telling her she should try yoga for her RP.

Not literally, but, like, he’s telling her all about the latest research or some shit. She calls him out on it and he says he just “cares” about her, and if she’d just made some simple adjustments, she could have lived “a completely normal life!”

The fuck, dude?! No, for real, the fuck? I hope I’m not supposed to like this guy, because I really, really do not.

Mike makes her a deal: she tells him why she’s on this case, he’ll tell her SOME of what he knows. She makes him go first: they assume a perp on drugs, a razor for a weapon, the blood is ritualistic. Occult. Standard nonsense. Vicki gives up that she’s working for Coreen, and that she thinks a vampire did it. Mike dismisses it immediately, but Vicki points out that the blood had to go somewhere, and she didn’t see a blood vacuum at the scene when she was there. But then again, vampires are ridiculous, so clearly that’s not a real option. Let’s have another beer.

Our third victim gets into her car in a garage, and is promptly taken out by the demon – who stabs her with a sharpened fingernail. A claw?

Vicki had too many beers: she and Mike are making out at her cab. She says something teasingly mean, and he puts her in the cab without another word.

Henry is reading his paper at a diner; the waitress says vampires are a sign the city is world-class. She never mentions the city, but I remember this being Toronto, and in that case, girl, where have you been? That shizz is overrun with vamps. Vamps out the wazoo. Vamps out our ears. Vamps from here to the dance floor (to understand this joke, please see the 1990s Noah Baumbach movie, “Kicking and Screaming”).

He leaves and heads to a club, where Vicki is waiting outside to get in. From the clubwear of the patrons, I’m guessing this is a goth hangout, and thus both our protagonists are here to check up on Ian and Coreen’s friends and enemies. It is not, unfortunately, The Raven.

Vicki gets in and Henry asks her immediately what she’s doing there, with something like gloss on the words, but Vicki shakes him off and leaves. Henry stops a waiter next, and asks him about Ian; waiter says he had words with two guys, and Henry goes to talk to the guys. Real toughies, too, probably think they’re going to rob him or some junk. Oh, Ian was a waiter here, too. Henry establishes that they didn’t kill Ian – they aren’t that kind of evil – and of course has to beat his way out of the situation.

Vicki asks at the bar about Ian, and gets the same story from the bartender. He calls over other waiter about the two guys, and other waiter says they all went outside, so Vicki follows. She finds the guys, but no Henry, and no memories.

Guys, this show is pretty good, I am digging it! It can’t hurt that it’s based on actual books that were actually edited and already made sense, of course, and some of these directing and editing choices are a little weird, but it’s a pilot! I’m just so relieved that we’re back on more Forever Knight-esque footing than whatever-the-fuck Moonlight was. It’s like sinking into a featherbed after a long day of hard work.

Cate, overdosing on vampires

So it’s late, and Henry gets caught by the sun just before he makes it home. The doorman comments on his hand being burned – “I was making a friend dinner” – and Henry flees upstairs. Pretty standard lore exposition, but I can’t fault them for using a winning formula.

Graham and Celluci talk to the hot dog vendor who found the third vic, and the light is…bizarre. It’s daytime, sun shining, but there’s a blue filter over everything? Like, more than Twilight, even? It makes me wonder about day-for-night shooting: like, maybe they’re making the daylight shots look purposely strange so the night stuff, when it’s not really night, might not look bad? Or something? Because it continues into the next scene with Norman trying some PUA shit on a college girl, and it’s just like

Anyway, aside from everything being blue, I spotted a BMO Bank of Montreal, so yeah, we’re in Canada. And Vicki’s back at the coroner’s. The blood in the crack was Ian’s blood, and there was a substance on the victims’ throats like saliva. And the cells under the third vic’s nails is almost like batwing, but not quite. Seems like maybe a vampire – “Count Dracula on a bender?” says Vicki. Probably not, says the coroner – but then again, who knows?

I haven’t really been covering the banter here, but this cast already gets along well with each other. Vicki and Mike, Mike and Graham, even Henry and his doorman – everyone gets some quips, some jibes, a little chance to show the relationships. These people get along with each other, they like each other. It makes us more likely to like them, too; even Mike and his stupid yoga.

Vicki pops into the station to talk to Mike about the coroner’s report. He shoots down the vampire talk, but Vicki says she can’t just dismiss that it might be something weird. She storms off to continue her investigation, and Mike is annoyed that she’s not giving up.

Henry is at the scene of the third murder, where that same sigil is on one of the walls. Another brief flashback. This sigil is bad news bears, y’all.

Which is why Vicki is investigating it. She asks Coreen about the pentagram in it, because when she plots the murders, they could be three points on a pentagram. She calls Celluci to tell him she thinks she knows where the next murder could be – just as Norman starts to summon and Henry has drawn his own pentagram, so we can get everyone nearer to the big climax.

Slight problem, though: Norman needs a more powerful demon to get Coreen. Current demon tells him that he needs to do a couple more murders, and then a sacrifice right in the center of the pentagram, and they can get the big guy to get him the girl. Norman says to make it happen, no matter.

The fourth vic screams in the park where demon runs into her; both Vicki and Henry come a-running. The demon is scared off, but not before he tells Henry that his master is “coming for you!” Then he explodes into bats, which is pretty cool. Henry goes to the girl, but she’s already been slashed and is dead. Too bad that’s when Vicki finally gets there; she thinks Henry’s her guy. She threatens him with a nightstick, so he charges her, and when she can actually see his vamped-out face, she faints.

Which is when the police show up, so Henry flees – with an unconscious Vicki still in his arms.

And that’s Part One! I thought about doing both parts of the pilot, but I am old and tired, and I can’t actually sit still that long. But! Perhaps! I will drop an extra recap this weekend, if you’re all good little Snowflakes.

See you next week!