SGRoA: Moonlight, S1 E16: Sonata, Final Edition

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Do – do y’all hear that? In the distance, is it… synthesizers? Fog machines? A LASER SHOW?!

IT’S THE FINAL RECAP!

Alas, our time with Moonlight is coming to its end. We’ll talk about the next show at the end here – and I’ll post a poll on Twitter – but this is our very last episode. *tear* Let’s get right to the absolutely-not-good stuff!

Josef is getting honored for giving a buncha money to a college. Josef has a really high media profile for a vampire, but that’s what we don’t love about this show: its unending inattention to making sense. This apparently is the “fancy party” episode of the series, because as we all know, every television series must produce a fancy party episode, a spooky episode (usually near Halloween), a 40s episode (almost always black and white) and a Very Special episode. Hence: Josef being honored, to give us a fancy party.

Beth loves it, because it’s “just like my high school prom!”

a fuzzy orange cat with text reading "excuse me while I barf in my mouth"

Josef has a human date, one of his lawyers who is also a donor, and Scottie from Mad Men, and that lady from Suits! And I’m sure she’s onto something else now, but this is just an opportunity for more ridiculous lore – this time with a side of gross! Mick explains that they call blood donors “freshies” (barf) and Beth asks if it’s like sex work (barf) and then thank god there’s a fight on the other side of the room.

Hank needs to “cool it”, and he almost gets tossed for fighting with Dominic. Oh, these guys are basketball players (something something retiring a jersey because fancy party). Dominic is the retiree, I guess? and his managers are vampires, and Josef is a big fan. These vamp managers have been married – and I’mma guess this wet sock of a show means monogamously – for 150 motherfuckin’ years.

Data the android laughing on the bridge of the Enterprise-D

Sorry, y’all, the idea of monogamously married vampires is fuckin’ HILARIOUS, come the fuck on. Plenty of people can’t be monogamous in a normal human lifetime, I don’t understand how anyone can think that immortals hew to some bizarre and, frankly, almost impossible standard of human fidelity.

Beth and Mick dance and make small talk about the vampire marriage (snerk), and then a woman screams, and the captions tell me that “machinery whirs”. Thanks, captions. I didn’t hear that at all. Good job!

Dominic is dead, and Scottie – her name is Simone, here – is in the room with him. “I didn’t do it!” she says, and Fancy Party Time is over.

Her story is, Josef was eating from her, and she went into the bathroom to clean up, because Josef is apparently a savage who doesn’t close his puncture wounds! So she’s washing off the blood (and I’m wondering how she’s going to fucking hide these enormous bitemarks) when someone runs behind her, so fast we (and she) don’t see, and then there’s a thud and then there’s a body. Dominic is in one of the therapy tubs (it’s a training gym bathroom, so).

Beth is interviewing her, and of course the talk turns to vamps. Beth asks if Simone is afraid Josef will turn her; Simone says he’s careful, but sometimes she wonders…. But no, no, of course she doesn’t want to be turned. Because we can’t have a show with unrepentant vamps! We can’t have a show where vampirism looks good! We can’t have a show where people have their own, individual and complicated, reasons for wanting or not wanting immortality! If we did any of that, people might think it’s okay to – what? What is vampirism a metaphor for, here, exactly? Is it still sex, like it was for Stoker? All vamp shows still have to remind us not to be sluts? Is it about the killing? Since when does America give a flying fuck about violence – other than, there’s simply never enough of it? It’s certainly not about the wealth-hoarding, because we also have no issue with that.

I mean, I’m honestly asking, here, because I’m honestly just noticing this to the point that it needed to be a little rant. Why CAN’T vampires like themselves? Why CAN’T people want to be them, want to be with them? Why CAN’T they be shown in a variety of circumstances, not simply “evil, dead, and loving it” or “tortured soul who drinks from gravy boats”? I WANT NUANCED VAMPIRES, DAMMIT!

Google never does disappoint

Josef is… mad??? he’s not in the papers?? but Dominic’s death is? Again: Josef has a weirdly high media profile for a vampire! And I write a vampire with another weirdly high media profile, but I made sure he doesn’t fucking like it!

Ugh, y’all, it’s so hot, I’m afraid I’m just complaining. I’mma take a little smoke break… yeah, that’s the ticket. OK! Let’s get back into it and maybe I’ll come up with some actual jokes, here, jeez.

Josef’s a little squirrely about all the vampires involved, and maybe a little irrationally jealous about Simone maybe seeing Dominic. Mick is surprised he’d get that attached.

Beth goes to talk to the vampire manager couple about Dominic and Simone’s relationship, and she can’t shut the fuck up about her husband, but at least he asked to be turned, and she seems to have zero shame about it.

I’ll take it!

Dominic and Hank were super competitive, not just on the court. Vamp lady says that Dominic was playing the field, women-wise, but Hank was convinced that he, himself, should be getting more playing time than Dominic, which is plenty of motive.

Oh, prediction: I think VampLady was doing Dominic, and VampHusband killed him. We’ll see.

Mick goes to see Guillermo in the morgue. Oh, Guillermo. You were one of the most normal parts of this show. That… is depressing. Anyway, Dominic’s neck was broken, no sign of vamp involvement. He also had had sex right before he died, and there was a foreign blood sample on him, presumably the partner’s.

Simone and Josef are waiting at Mick’s place. She maintains there was no sexual relationship, and that her blood type doesn’t match the sample, so OF COURSE Josef has to let Mick taste her to prove it and then Beth walks in on the weird VFV threesome. I knew there was too much relevant plot. Time for a relationship fight while they go talk to Hank!

I don’t care. I cannot give a shit about this universe’s vampire blood/sex mores, or Beth’s weirdness, or everyone’s obsession with monogamy, so. Hank’s roommate says Hank hasn’t been around in months, and Mick says he’s lying, and so he shouts to tip off Hank, who runs only out to the lawn. Mick catches him.

Guillermo got hold of the blood sample; it’s vamp blood.

I love it when I’m right

Mick goes to talk to VampHusband. The cheerleader Dominic was with on party night is a vampire, so Mick goes to talk to her next. She fucked him, but not the night he died.

They drag Hank into an interrogation with New Josh, and he says that “SHE killed Dominic”, and uh-oh! I did not account for jealousy, so NEW THEORY: VampLady was fucking him, and didn’t like that he was fucking other girls, and she killed him. I maintain the Leonardo is justified.

OOOOH, Hank saw VampLady VAMPED OUT! The plot sluggishly tries to thicken!

New Josh and Beth go to arrest her, and she’s throwing furniture at them as Mick shows up. He’s able to subdue her, and tells her to think of VampHusband, and to stop showing the humans what she is, and they take her into custody – which is the real problem of this episode, if you care about the characters.

Beth and Mick go to their house to… I don’t know, tell VampHusband, I guess? because he comes out with drinks – tap water for Beth, and what looks like fuckin’ cold blood in a glass for him and Mick.

Emma Stone on SNL saying "ew"
Ew.

They bring VampHusband down to talk to VampLady, and there’s a weird scene where Mick eavesdrops on their conversation, which is mostly about how she cheated. Ridiculous. The musical cues tell me it’s supposed to be touching, but then she’s threatening to expose all the vamps in LA if they don’t get her out of jail? While we’re at it – why is she in jail in the first place? These people are millionaires, if not billionaires, and should have the resources simply to flee when they’ve killed – Was it that she didn’t want her husband to know, so she just played dumb, like a dummy? The motivations here, the reactions to things – these are the decisions of foolish humans, let alone vampires, who absolutely should know better. I’m somehow amazed that this show sinks ever further into the insensible muck.

Simone and Beth have a convo about the VFV. Mick and Josef have a convo about Josef liking Simone.

you’ve heard of autistic excellence? autistic surliness. just as good.

Beth goes to Mick’s and he can’t let her in: vampire business. She’s pissed because she’s not involved; the vamps inside are pissed that Mick let VampLady get taken into custody. They think that the cops are going to come and round them up if she talks?

They think. that the cops. are going to come rouND THEM UP!!!!!!!!!!!!!

WHAT IN THE ACTUAL FUCK IS THIS FUCKING SHOW? NO HUMAN BEING HAS EVER ACTED LIKE THIS! NONE!

the inside of my brain RIGHTTHISMINUTE

And now it’s a gotdamn heist! Because they have to get her out of jail! BECAUSE OTHERWISE THE COPS WILL COME ROUND THEM UP!

And in case it isn’t obvious – because it might not be, and that’s cool, I don’t mind – the reason this is so, just, unbelievable is that cops are not going to believe her about being a vampire. They will not believe that any other people are vampires. Even if she proves it to them, vamps out in front of them, MOST OF THEM will react the way humans always do to the strange and unusual: THEY WILL LIE TO THEMSELVES ABOUT IT.

Humans will not believe the evidence of their own eyes if it is difficult, or inconvenient, or triggering, or scary, or any number of very real, very emotional, very demonstrable reasons. Eyewitnesses SUCK. People will just turn away and declare they didn’t see it, and after a while, that will be the truth for them.

The cops are not going to round up vampires. The cops are not going to believe there ARE vampires. This is a non-threat, and the fact that it’s the big climax of the episode, with everyone involved in this stupid escape plan, really is the perfect moldy cherry to throw on the top of the shit sundae this series has been.

Anyway. VampLady’s sentenced to death – by the vampire cleaning service – and VampHusband goes with her. But in true Moonlight fashion, someone thought this was good enough to get a second season, and someone’s dropped off the list of vampires to New Josh.

dun dun DUNNNNNNNNNNNNNNNN

Oh, and Beth and Mick break up, but immediately get back together, because of course they do.

AND IT’S OVER! Thank god! I was gonna start looking up the writers and cyberbullying them.

So that just leaves our next series! I have three options: Blood Ties, a one-season series from Lifetime, from a book series, about a disabled woman and Henry Fitzroy, bastard son of Henry VIII, in modern-day Toronto (home of the vamps!); Grimm, about a Portland cop who realizes the world is not quite what it seems, and among us walk shifters from fairytales, and he’s supposed to kill them; or Evil, about a psychologist working with a Catholic Church team who investigate possible exorcisms.

Like I said, I’mma put a poll up on Twitter, and of course please comment here! If nobody chimes in, I’ll have to ask the cards, and they’re usually so obtuse it hardly seems worth it.

Have a great week, Snowflakes! I’mma go get high enough to erase Moonlight from my memory FOREVER!

SGRoA: Moonlight, S1 E15: What’s Left Behind

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I mean. Brains, plots, common sense, character development… Oh, wait, they probably don’t mean what the writers left behind, do they? Ah, well, can’t blame a girl for getting confused. Let’s get started!

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SGRoA: Moonlight, S1 E14: Click

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Third to last episode, Snowflakes! Very excited to move on to something different. I’m about 90% sold on doing GRIMM after this – branching out in my urban fantasy takes – but I am 100% open to suggestions all the time! (Obviously I’d prefer anything streaming, especially if it’s available on one of the “big” services – Netflix, Hulu, Amazon. And obviously I pay for Paramount+, because Star Trek – hey, do y’all watch EVIL? I have been digging the crap out of that one….)

Anyway – let’s get started!

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SGRoA: Moonlight, S1 E13: Fated To Pretend

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Ooh, lucky number 13! As a witch and always an odd one out (thanks, it’s the autism!), I like 13. I don’t have high hopes after last week’s vampire genocide reveal, because let’s be honest: that was one of the silliest things this very silly show has done. I guess they didn’t want to fill in with another Jack the Ripper episode, eh? I mean, it was good enough for Babylon 5, but not for you?

that’s right, I’m THIS BIG a nerd

Oh, right, Mick’s still “human”. He’s brushing his teeth and sleeping in a bed and drinking coffee! I don’t care! If you hate being a vampire so much, if you think it’s so immoral and terrible and you simply can’t stand yourself, maybe consider ending it yourself? Like, Mick is a coward. I don’t think suicide for humans is a valid choice – I mean, people make it, but it’s terrible, and as someone who’s been there, I do know it gets better, and that it’s very possible to turn everything around – but a vampire? A VAMPIRE. If you fucking hate it that fucking much, jump in a fire, my dude! Ask a friend to cut your head off! Make a Rube Goldberg device!

But for the love of everything in this universe, STOP WHINING ABOUT IT.

Anyway. Mick’s at the beach with Beth. And he’s STILL COMPLAINING. Beth says it’s so nice to see him so happy, and it’s like a whole new him, but he’s all “NO! It’s the OLD ME – from before the CURSE that so vilely affected my LIFE and that I hate SO MUCH I never do anything about it!”

So Beth is totes over Josh already, because she’s in love with Mick, and has been for a while. This scene would be cute if any of these people were likable, but here we are.

Josef is remodeling his blown-apart office. Good there wasn’t any structural damage from those giant military grenades that killed everyone. Sounds very likely. He has two interior designers pitching him, and he hates everything they suggest, and then he yells at them to go away as Mick comes in. They were both women, and as they leave, he says, “Remodeling is a bitch,” making sure to look at the women as he says “bitch” all super drawn out. Thanks, Josef, we know you’re a misogynist. We don’t need reminding.

He follows it up by asking if Mick has “sealed the deal” with Beth yet. Fuckin’ gross, man. And this whole scene is pointless, it just gets Mick to “admit” he’s in love with Beth. Yeah, no shit, you’ve been stalking her since she was four – a fact against this relationship that NEVER COMES UP. The age gap comes up, the inter-species concerns come up, but never that Mick has had a weird obsession with Beth since she was traumatized by his ex-wife. Is this a function of time? Like, did we just not think any of this was noteworthy in 2007? Or is this show just very, very bad? YOU MAKE THE CALL!

Beth gets a call from her editor, who’s still micro-managing her and calls her down to the Buzzwire office after asking where she’s been all day. But uh-oh! Editor – whose name is Maureen – is dead at the ransacked office. Beth is screaming about it, and I can completely understand: who else is going to check her time cards now?!?!?!?!

deal with it

Josh’s replacement shows up at the crime scene, because the ADA always goes to crime scenes. He immediately insults Buzzwire and Mick, and I like him. Maureen’s computer was missing, and Beth thinks it must be related. Fair assumption, for once. Beth and Mick go to the morgue to talk about the body with Guillermo; Maureen was around a vamp just before her death, but was shot in the head. Mick says the vamp shot her to make it look like a human crime, and he’s probably right because the writing is terrible, but we’ll see. I’d throw in a vamp red herring there, but I, like, know how to structure a mystery, so….

Mick and Beth then head off to Maureen’s apartment. Beth says Maureen was obsessive about backing stuff up and goes off to look for a thumb drive. She finds it in a box of tampons after a weird digression about where people hide stuff, and then the cat comes out! CAT CAT CAT CAT CAT – I’m sorry, I’m distracted.

They take the thumb drive to that vampire tech nerd, because the files are encrypted. The password is the cat’s name, of course. Some diet guru is dead of a heart attack (no duh, that’s what dieting does, it ruins your heart), but that’s not enough to kill over. A political scandal looks more promising, but what’s this about Josef? Sexual assault and harassment? Alas, no: charity fraud. Mick is convinced it’s not about Josef, but how likely is that?

They go to check it out, and turns out, no, Josef didn’t kill her. He makes at least three sex “jokes” while they talk.

Next up, the congressman. I think. Look, y’all, I have plans today and it’s 8am, so I’m not entirely awake, but I figure, that’s probably the best way to watch this thing. They show up at a press conference, I guess? Oh, wait, he’s a mayoral candidate. Which is big when you get to cities like LA. I’ve been vaguely following the NYC mayoral race and I live in Aurora, CO. (My mayor sucks absolute balls, thank god we’re not that big yet.)

Mick tries to talk to the dude, but his wrangler tells him that he’ll have to leave and tries to dodge him. Mick just follows them both to the door, telling Dude that someone thinks he set up the accident that kills his wife. Handler says that’s ridics and they leave.

Beth is at the diet guru’s place, trying to pin the death of the spokesmodel on the donuts, but Beth, the science has been in for decades: it doesn’t matter what food was on the diet, the act of intentionally restricting to lose weight will weaken your heart and make you prone to heart attacks. It’s why anorexic people die of heart attacks. It’s why a lot of fat people die of heart attacks – we’ve been dieting and weight-cycling our whole lives in some instances, and our hearts can’t handle that. (If you think the science isn’t there, and I’m making this up? Please see yourself out to the Google and look it the fuck up, thanks. I don’t do fat liberation 101.)

They go to check out the spokesmodel’s body, and she has liposuction scars that aren’t noted in the autopsy. Beth is off to check out the autopsy report (…sure, why not?) and runs into ADA Ben. He’s pissed that they’re investigating (obviously) and tries to remind them that any evidence they get will be inadmissible, probably, and they’re just fucking up. But Ben! This is TV! That will never happen, because these are our protagonists!

Mick is off to investigate…something else, I wasn’t paying attention, and the guy runs. I have to say, the direction of this episode would make it a mostly fun little romp if – again – any of these characters were likable, or if the show hadn’t been so dumb it eliminated all the good will I might have had for it.

Oh, Mick went to the valet who handed the mayoral candidate – Morrow – the keys to his car the night his wife died. Morrow was drunk. Mick’s here because Maureen’s computer showed that Valet sent her a tip about it – but Valet says he absolutely did not, he’s working without papers, he knew Morrow was drunk and gave him the keys anyway to avoid a fight and he has zero interest in being involved. Mick’s confused, and calls computer geek dude. Someone spoofed Valet’s email.

Oh, it’s the little blonde staffer that we’ve seen in both campaign scenes. Takes everyone else seven minutes to figure it out, but I guess they’re not really in a tv show. Anyway, she runs up to the building’s roof to … commit suicide? … because she … spoofed an email and told the press about her murderous boss?

Marcia from the Brady Bunch saying "Sure, Jan"

I wonder if these writers have ever met people? Like, is this one of those “I fed 1000 pages of Forever Knight and Dark Shadows episodes into this neural net and asked it to write me a series” and Moonlight popped out? If that’s the case, kudos! But this was 2007, so…yeah.

Anyway. Mick saves her, and she’s Morrow’s daughter? And somehow this means that Morrow didn’t kill Maureen, so it’s back to the diet guru? Ok, sure, why not. Take me on a ride, neural net.

Beth, Mick, and Ben go interview the plastic surgeon who did the lipo on Spokesmodel; he has three complaints about excessive blood loss after surgeries. I’m guessing vamp, and I’m right, and there’s a fight in the office, because that’ll go great for him. They make it look like Beth is going to get sucked right there, then a commercial break, and Guillermo is pulling glass desk shards out of Mick. But he’s done the legwork our “heroes” haven’t: the doc’s real business is selling rare blood to vamps.

Oh, the vamp doc took Beth and Ben. Does Ben have a good blood type, too? He must. There’s a lot of getting-ready nonsense that we don’t need, and Josef shows up as Mick is taking all his weapons out of hiding, and there are literally 7 minutes left of this episode, so wtf? Please go rescue people instead of having in-depth convos.

Oh, here we go: Mick begs Josef to turn him vampy again so he can rescue Beth. MORE WHINING.

ugh. have to watch Lestat as a palate cleanser

So Mick’s a vamp again (and there apparently is no lore about the strength of the sire, how weak someone would be right after turning, the need for a victim right away – no, it’s fine, that’s fine, tell me more about the taste of blood types, tho) and he saves everyone, the end. Ben was kept blindfolded the whole time so he doesn’t see or know anything, but he also isn’t going to investigate the bodies around him, I’m guessing. Beth and her bad extensions are sad about the re-fangening because he did it for her (heart emoji heart emoji). A lot of pointless feelings talk that could have been expended on the actual mystery, rehashing shit we’ve already talked about. And then they rip off a great song that Buffy already used (“Lucky Ones”, it’s on the first Buffy soundtrack CD that I played over and over and over for like a year in the late 90s) and Beth is sucking his face and then she leaves and it’s over! YAY!

I wish I knew Divia was going to show up on this show. She’d make such a good impact.

See you next week, Snowflakes!

SGRoA: Moonlight, S1 E12: The Mortal Cure

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Hey, y’all! Hope you’ve had a great week. I briefly forgot that time existed and almost didn’t make my recap deadline, but luckily I remembered the concept of Wednesday just in time. Also, I was watching a YouTube essay about how all the Transformers movies were just extended commercials, and Sophia Myles – Beth! – is in the one with Stanley Tucci! Poor thing. So pretty, so doomed to shitty, shitty writing. Let’s see what we get served this week!

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SGRoA: Moonlight, S1 E11: Love Lasts Forever, Picard Day Edition

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Well, Picard Day was yesterday, but still! Happy Thursday, Snowflakes! I have a snazzy new haircut (very welcome as it hit 104 yesterday) and a little sunburn from actually leaving the house this week! Looking forward to some beach time this weekend, once my new umbrella gets here. I hope y’all are enjoying your summer so far! Let’s get started!

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SGRoA: Moonlight, S1 E10: Sleeping Beauty, Fully Vaxxed Edition!

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Yes, that’s right, I will be fully vaxxed tomorrow! I plan to celebrate with the first haircut in 16 months and perhaps a walk through a bookstore. But for now, let’s celebrate with bad TV!

Coraline’s lung and heart have been stabbed, and infection has already set in, so she’s in bad shape. Coraline lied about what happened, saying it was an accident, and Beth wants to know why she lied. Beth is pretty torn up about it, but that doesn’t stop her from accusing Mick of still like-liking Coraline. He shoots back, “She’s my wife,” and, like, sure, dude, but also she turned you without consent? she tried to kill you? she kidnapped Beth? Choose from the menu of bad decisions Coraline has made, my good bitch.

But of course, Mick isn’t really interested in any of that, wife notwithstanding. What he really wants to know is how Coraline managed to become human again, because it’s not a vampire story if some whiny crybaby man doesn’t want to be human again!

Nick Knight fist-pump and spin.
it’s always a man, don’t @ me.

We’re in New York City as Mick’s words fade out. An apartment full of “old” pics of a woman: they’re meant to look like she’s in the 50s, I’m guessing, based on the hair, but lemme tell you, I’ve been doing 50s hair care this whole pandemic, and that ain’t it, chief. Also, the quality of the photos themselves looks too new. I know, I know, I shouldn’t ding them for props, but I can’t help it! An old man on oxygen looks up as a younger man comes into the room and hands him a photo. The younger man – who played someone on Spartacus, god I loved that show, so much eye candy – says he’s found him, “him” being Josef. Old guy wants him dead, and reminds Assassin that it must be fire, no money unless it’s done with fire.

Josef is playing poker with vamps, I guess, because they’re betting with little vials of blood, anteing up “B+” and “O-” like it matters, before some dude in a ski mask walks in, starts shooting, and we get our opening sting.

I had to rewind, but shooter dude threw in some grenades, too, and Josef’s whole floor has gone kaboom, and presumably him along with it. Josef’s head of security (who is Not John Goodman) fills Mick in – it was definitely professionals, and they really want Josef gone, but no evidence so far that he is.

Beth is filling her editor in on Coraline’s condition, or her version of it: no one knows what happened to Morgan, and she’s still unconscious. Did you want Beth to get a doctor’s note, Useless Editor? Do you have a lot of absentee paperwork to fill out or something? (Ugh, I hate that I noticed how shit she is.) No, no, she wants to put Beth on the case of Josef’s building blowing up. Beth says it’s a conflict of interest, this is Mick’s best friend, she’s too close – but Bad Editor is bad, so she sends Beth right over.

This ep is trying hard to make me care about Josef, but the time to do that was several eps ago when he was being disgustingly sexist. Or in any of these episodes, honestly, because he’s been trash the whole time, come on. I’m not going to change my mind because of a low angle shot of Mick looking pained and talking to Beth about poker night.

pictured: me, at Josef’s funeral

Mick’s pissed she brought a cameraman, obviously, so he takes off, because she should “stay and get your story”. He goes to look at the security footage with Not John Goodman. Josef had infrared, so he could see if his visitors were human or not. They have the shooter on film: he’s a human. They zoom in on the grenades he used – “incendiaries”, Mick calls them, and says they look military grade, so that’s probably a lead. And then Mick gets a call: Coraline is awake.

He goes to talk to her and tell her Josef died. I for sure thought there would be some amnesia, but she seems to remember just fine. She wants to talk about Josef, but Mick wants to know how to become human, and she thinks it’s fuckin dumb, because it is, and is sure that it all has to do with Beth, which, yeah, it does! But of course that’s just gonna make a crazy bitch crazier, because that’s Coraline’s whole purpose in this show, and she goes off on a tangent about getting Mick back before lapsing back into unconsciousness. No worries, though: Mick takes a sample of her blood for his own purposes! He’ll get that secret no matter what Coraline wants!

Mick finds Beth waiting in his hallway. They apologize to each other, though honestly, Mick was justified in being angry: it *is* ghoulish to bring a cameraman to your maybe-boyfriend’s best friend’s death scene. Mick starts crying about Josef and they hug and then go inside –

where Josef is patiently waiting at Mick’s desk. I knew it! I knew Mick was being premature. You can’t count on a vampire dying just because it looks like he should have. That’s just Vampirism 101, there.

Mick shows Josef the security footage; Josef doesn’t recognize the guy. Someone knew about the fangs, because fire was used, but it’s unclear if that was the shooter, or someone who hired him. But Josef has bigger problems: he’s dead, and therefore has no access to any of his money or stuff.

Uhhhhhhhhhhhh, whut? No, come on, really, what the actual fuck? Regular ol’ millionaires have dozens of lawyers on retainer and keep liquid funds and shit and you expect me to believe that a 400-year-old billionaire who has to keep his identity mostly secret and pass his own property onto himself every so often and, yes, HAS TO DIE ON THE REGS –

You want me to believe that this person, who by any shred or tiny speck of logic would have backups upon backups upon backups to ensure that he has access to what he needs to live, THIS PERSON HAS NONE OF THAT?

a little pink person with a yellow speech bubble that says "oh no"
things were going so well

And I mean, okay, yes, I write a 600-year-old billionaire. I have thought this through. You know all about Grant’s lawyers and forgers and bankers and accountants, the endlessly well-paid people who can help make his life happen. But even if I hadn’t thought through this exact scenario, I know that regular humans – especially those engaged in, let’s say, morally-grey enterprises – will keep liquid assets in several places so that they can access them when shit goes pear-shaped! Mobsters have cash! There’s all those movies about diamonds! My god, just when I think the writers are starting to get their shit together! Josef runs out of money because he only has one identity and no hidey-holes?! What the fuck, y’all.

I had to go take a smoke break. Sheesh.

So, Josef has no money, and that’s not gonna get fixed until they take out the assassin – or whoever hired him. Josef has to stay dead until they find him. Mick and Beth head out to Beth’s hacker friend to have her go through the military databases looking for the dude. Mick is surprised the hacker is a woman, because of course, but she finds the dude! He’s gone private after duty in Afghanistan with Special Forces. Again, because of course. At least I haven’t had to make a bunch of assumptions. Yet.

Mick comes home to an apartment full of women; Josef’s “ordered in”. Mick is pissed. Josef’s put them all in danger, just like he did his other friends. Josef says he’s sorry, but “I get lonely”. Mick returns: “I’m beginning to see why.”

patrick stewart making a "yikes" face

Oh, Josef DID hide money – in his safe at his office. Which he wants to go to now, to get the cash, because bottled blood isn’t good enough for him.

Mick goes to bed. I would be exhausted too, Mick.

Coraline still has a raging infection – but her body temperature is going down. I’m guessing that vampirism “cure” isn’t going to be one much longer. I mean, she almost eats the nurse, so….

Josef, predictably, leaves Mick’s place.

Carl from The Walking Dead with text that reads "what if bad things happen because I didn't stay in the house?"

He runs into Not John Goodman, whom he tells to keep it on the down-low, because no one else can know he’s alive. But we all know where that’s going, yeah? Yeah. Assassin kills Not John Goodman in the next scene, because of course NJG has been in on it this whole time for cash. But good news, everyone! Mick has realized Josef is gone and shows up just in time to keep Assassin from shooting Josef while Josef is dicking around with some locket he had in his safe.

Mick and Assassin fight, and Assassin wisely tells Mick that he was hired by John Whitley to kill Josef. Josef says he’s never heard of the guy, but is gone as soon as Mick turns around. Mick turns the assassin over to the cops while Beth looks into Whitley: he had a daughter who disappeared in 1955, which seems sus. They head for New York to track down Josef.

Y’all. We are only halfway through this ep, and I swear enough shit has happened for a two-parter. Let’s breathe for a moment.

and breathe out. Ok, back to it!

Oh, of course, Josh suddenly reappears as Beth’s packing. We needed more subplots in this episode. Beth has forgotten movie night, and Josh mentions that she’s going out of town with Mick, and she says she was gonna call him from the airport, and they break up. I mean, almost? maybe? It doesn’t seem terribly official, but that’s probably so they can make more DRAMA later.

Assassin has escaped from custody in LA, and has some questions about Josef. Old Guy spills the vampire beans, as it were, and Assassin only has a brief moment of doubt because he’s now been involved in two impossible incidents. He wants to know everything – but most of all, he wants to know how to kill them.

Beth and Mick get into Old Guy’s place, and of course, it’s all about the daughter. He thinks Josef is responsible for her death because of a diary she kept and that he read after her disappearance. He hands the diary to Beth as they’re talking, and she walks out with it. It reads like a 12-year-old wrote it, it’s kind of gross, a lot of “our love will overcome anything” and “we’ll be together forever”. Even the handwriting is childish, not the Copperplate grace I would expect from a 21-year-old writing in 1955.

They head to Josef’s place in NY (that Beth’s hacker found for them), and discover Old Guy’s daughter unconscious, still young, in a bed. Josef tells their story, and I’m okay with it now, because he also tells it like he’s 12. The turning went bad; she’s been in a coma since he attempted. I don’t know why all these other vamps have such trouble turning people. It seems a weird piece of lore to recycle so often.

Since there are now only five more minutes in this episode, Assassin breaks in, shoots Josef, then stakes him, but Josef luckily doesn’t die. Assassin’s surprise at that allows Mick to pick him up and break his neck, all so we can see him nearly naked on Starz. (worth it, trust me)

Blah blah wrapup inanities from Josef and Mick. Beth gives Josef his lady’s diary, and Mick and Beth head back to LA while Josef is taking the opportunity to stay in NY a little longer. There’s a motherfucking montage of Josef and his lady, and Beth and Mick talk about a cure as they wait for a cab. Mick wants to go out on the town, but Beth is worried about missing their flight – because she has to get back to Josh.

And Coraline leaves the hospital – AMA all the way.

That’s it till next week, Snowflakes! Come back to see my cool new haircut, whatever that is!

SGRoA: Moonlight, S1 E9: Fleur de Lis

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Didn’t Forever Knight have an episode titled Fleur de Lis? The one about Nick’s sister, Fleur? or maybe I’m just remembering what Lacroix called her…. Anyway, Snowflakes, I’m here, I’m high, I’m ready to recap!

Ooh, it’s a Beth voiceover! She’s talking about memory – as a concept and her specifically traumatic ones of her abduction – while she pounds on Mick’s door. He finally lets her in, and she waves a file at him. She has proof that Morgan is Coraline. Mick says he knows, and then Coraline comes down his stairs – dressed only in his shirt, and both of them still wet from the shower. He says it’s not what it looks like, but Beth doesn’t care: she’s already staking Coraline.

We then get a “24 Hours Earlier” on the screen along with Beth staking out Coraline’s apartment.(heh. “staking”.) Mick shows up and they have a weirdly jealousy-laden convo about Morgan/Coraline. Turns out, Beth now thinks that Morgan is Coraline, and she’s trying to convince Mick to look into her background a little more closely. Mick agrees to keep Morgan busy, but warns Beth that if Morgan is Coraline, and if she suspects, it’ll be very bad for Beth. Beth is super fucking pissed about the abduction, and determined to get the truth, so she’s fine with that.

pictured: Beth

So it seems that we’re finally getting some real episodes in here! I wonder if the earlier half of the season was why this got cancelled: no one should have to put in 7 episodes before things start to become sensical. I’m thrilled that this ep picks up where we left off, and that it all makes narrative sense, even going so far as to make narrative sense with the entire previous episode! Like, you know, a story!

Now, why exactly Beth has decided Morgan absolutely IS Coraline suddenly, I don’t know, but it feels like getting ahead of myself to wonder about it at all! I actually have faith that it will be explained momentarily, so let’s press PLAY again.

So, it’s daylight again, and I assume this is before the events in the opening bit (this is after the sting). But I hate that I have to assume again. Bad writers! No cookie!

Mick is meeting with a client who wants his wife followed. He thinks she’s cheating, he’s a CEO, he’s paying Mick 50K for his expertise and his discretion. Guy’s a jerk, but obvies Mick takes the job.

And then he meets Coraline for lunch? Oh, we were off to such a good start. Anyway, Morgan orders real food and then Mick apologizes for – that night several episodes ago? in the graveyard, when he made her bleed? That must have been in the “last time on Moonlight” bit, which I skipped, so maybe I will stop doing that. Anyway, he wants her to do the photography for this surveillance job; he offers her 10K and she takes it. Morgan probes about the ex she looks so much like; Mick politely deflects.

Beth, meanwhile, is at Buzzwire, Googling Coraline. Mick texts to tell her that Morgan will be with him on the case all day, so this is…the next day. Huh. Okay, time indicators were missing, I made an assumption, but, like, also, were you going to invent a case to keep Morgan busy, Mick? And why does Morgan need to be busy if Beth is just looking up 300-year-old courtesans on Lexis Nexis?

no, no, I’m gonna be positive, it’s good, we’re fine

We get some heavy metal Flashback Time of Coraline being branded with the fleur-de-lis, even though it’s actually a tattoo, and then Beth is lying to her boss about heading out to do some research for a story.

Mick and Morgan are in the park, homing in on their target. Mick has an earpiece for Morgan, who says she loves how “Bourne Identity” it all is. They’re doing okay for a while, but husband dude wanted conversations recorded, so Mick almost gets made. But Morgan gets several shots of the lady kissing her affair partner, and Mick gives up on the recording to just listen in on the convo – just long enough to hear that “if he finds out, he’ll kill us”.

a chipmunk turning suddenly with dramatic sound effect

Morgan is jazzed she got the shots for that easy ten grand, but Mick says they can’t turn the evidence over if husband dude is gonna kill lady and her affair partner. Morgan says that they can’t be sure that what Mick heard referenced an actual murder – she says a) it’s probably metaphorical and 2) even if it’s not, they were hired to provide information, and they can’t know, and therefore have no responsibility for, what husband dude does with said info. But Mick wants to investigate a little more – husband dude was certainly very concerned with secrecy, so much that Mick thinks he might choose murder over divorce. Morgan agrees, but wants to stop by Buzzwire to drop something off for Beth.

Beth is, of course, breaking into Morgan’s place.

Mick heads to husband dude’s office, but husband dude won’t see him, so Mick doesn’t hand over the evidence. Morgan was waiting outside, I guess? because she meets him in the elevator. On the way down, they pick up both the affair partner and the lady, and Mick has to turn his head so that Lady – who saw him at the park – won’t recognize him. So he and Morgan are basically kissing, of course. Why waste a cliche, I guess?

Mick texts Beth that he and Morgan are on their way to Morgan’s place to pick up a camera, and Beth hides, but then Mick smells her and hustles Morgan out so Beth can keep snooping. They head to across the street from the Biltmore, where the affair people were meeting, and set up surveillance on the room. Beth calls Mick, and Morgan’s giving a play-by-play of the sex, and then Mick makes it sound even pervier when Beth asks what they’re doing, so I guess I know why she was so pissed in the opener. Mick gets off the phone without doing anything to make it sound like he’s spying and not fucking, and then Beth finds photos of him from the 50s in Morgan’s drawer.

they’re all in this ep!

So Mick and Morgan watch people have sex, and end up kissing, because who wouldn’t? (lots of people, clearly, but they’re both single, so why not?) But the big reveal here is that Lady’s affair partner is her stepson! Remember back in 2007, before we all knew what joke I am now socially obligated to put in here? “Stepson, what are you doing? I’m stuck in the hotel bed!” Pretty good reason for murder, as 2 out of 2 private eyes agrees.

They finally end up at Buzzwire, where Beth is safely at her desk, but she can’t hide how fucking angry she is. She heads out to go do…something, I missed it, I’m not going back, and Mick of course uses that opportunity to talk about what happened at the hotel – the kiss. Morgan’s all, it’s no big, why did you even bring it up? Oh, right, because you like Beth. So, no, I won’t mention it to her. But I think I’m more your type, right? I mean, you did marry someone who looks just like me.

Husband Dude sets up a meeting, finally. Mick says he’s taking all the surveillance – including Morgan’s memory card – back to his place before he goes to the meet, because he doesn’t want to turn anything over until he knows it won’t get someone killed.

Beth goes to see Josef, who again has an office full of people, but he actually makes them all leave before discussing vampire shit. She wants all the skinny on Mick.

Who is simultaneously getting stood up by Husband Dude, who has hired someone to ransack Mick’s office. Mick calls Morgan to tell her all their shit is gone, and he thinks that he should go to Stepson’s place to warn him and Lady. Morgan Googles the address and Mick heads out.

Morgan gets off the phone and Beth’s editor is there, handing her a sound file she asked the audio guy to clean up. Editor wants to know what story it’s for and is all weird about it, like come the fuck on, is this what they pay you for? Babysitting people about what work is for what story and why and when it’ll be done all day long? Shouldn’t you be, I dunno, like, EDITING? This suspicion just feels so weird to me, and this poor editor seems never to have any lines that aren’t “Get me a story”, “I’ll give you a story”, or “What story is that for?”. Wasted character. No one needs fuckin management up in this bitch.

use company resources for my own ends

Josef tells Beth there is absolutely no cure for vampirism, so no, Coraline definitely didn’t find it. He thinks Mick is still obsessed, just like he was when he first met Coraline, and that it was only when Coraline took Beth that Mick had really had it. Beth remembers the fire, but isn’t convinced that Coraline is dead. Josef says that if she’s back – and that’s a very generous “if”, for Beth’s sake – Coraline is back for Mick, end of story.

Beth goes up to the house where Mick first met Coraline on the assumption that Coraline still owns it, and finds a bunch of surveillance of herself and Mick – rather obviously.

Mick shows up at Stepson’s back door, and Stepson lets him in after Mick confesses to following him and Lady. Morgan, meanwhile, is listening to that cleaned-up audio Mick took in the park, and hears that Lady and Stepson are going to kill Husband – it’s only if he figures out that’s the plan that he’ll kill first. But Mick is on high alert because he sees all the surveillance from his office on Stepson’s coffee table, and is confronting Stepson when Lady shoots him in the back.

Morgan shows up at Stepson’s looking for Mick. The door is still open, but no one’s there, because they went to kill Husband Dude. She calls Mick’s phone, and finds him covered in blood. Morgan wants to go to the hospital, but Mick says no, it’s just a scalp laceration, it’s not that bad, let’s go save Husband Dude, so they do.

Beth has ventured into Coraline’s basement, and hoo-doggies, is this some creepy shit. There’s a whole-ass little girl’s bedroom, complete with a fake kitchen I would have killed for at age 5. It’s where she was held before Coraline took her to meet up with Mick, before wherever the fire was. Beth is working through her trauma in real time, and this is awful. No wonder she stabs the bitch – appropriately with a stake made by breaking off the leg of a chair from the room.

So the big plan was to run over Husband Dude as he left the office with Stepson. Mick fucks that up, though, by stopping Dude and Son in the street, punching out Son, telling Dude they were planning to kill him, and then saving Morgan from the speeding BMW driven by Lady by flying straight up. Everyone lives; they call the cops; Morgan has questions that Mick brushes off. They’ll stop by the station tomorrow to drop off the evidence and give formal statements, yadda yadda.

Mick takes Morgan back to his place and they do the do, you know how it be sometimes, sex with the ex just hits different. But he sees the tattoo, he calls her Coraline, she admits it, he’s super jazzed to become human and doesn’t stop fucking kissing her! And it’s then, obviously, that Beth comes in with her file and her stake and her incandescent and totally justified anger

and stabs a fully human Coraline.

lol, no, she’s not dead, they’re gonna call an ambulance, but I couldn’t resist. Come back next week and find out what happens, I hope! The box just says it’s about Josef being marked for death, but, like, so? what happens in the other 34 minutes?

SGRoA: Moonlight S1 E8: 12:04 AM

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Hey, all you cool cats and Snowflakes! Welcome back to Thursday, Moonlight, and my continuing regret about ever liking this show. Nah, that’s too harsh. Just because something isn’t as lovable as Forever Knight or Grey’s Anatomy doesn’t mean it isn’t worth a recap, and I should really try to be kinder.

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SGRoA: Moonlight: S1 E7: The Ringer

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Welcome back, Snowflakes! Another Thursday, another recap, and this time we finally get to meet the main antagonist of the show! Only six episodes in to a 16-episode season! The writing on this one is just

when Forever Knight starts to look Pulitzer-worthy
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